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tokyo s willing cog, in an enormous machine requiring long hours, low pay, total dedication. and sometimes, what s called karoshi, death by overwork. here in a society of tight spaces and many expectations, the pressure s on. to keep up appearances, to do what s expected. to not let the interior life become exterior. but at night, things are different. what do you need to know about tokyo? deep, deep waters. the first time i came here, it was like it was a transformative, experience. it was a powerful and violent experience. it was as if it was just like taking acid for the first time. meaning, what do i do now? i see the whole world in a different way. i often compare the experience of going to japan for the first time, going to tokyo for the first time, to what eric clapton and pete townsend must ve gone through, the reigning guitar gods of england, what they must ve gone through the week that jimi hendrix came to town. you hear about it, you go see it, the wh ....
well, one thing for sure about this area is that quite a lot of businesses are unspoken but governed by the yakuzas. the yakuza, that s the fraternal organization prominent in the entertainment and financial services sector, as they say, who is said to, um, supervise things here in shinjuku. principally, your arcades, you have gambling, pachinko, adult entertainments, your porn shops and sex clubs, along with other ancillary services. but how much actual boning is going on in the sex district? generally speaking, it s more a field of dreams than the actual act of sex. hostess cafes, for instance, where a lonely, overworked, salary man can find the attention of cute, seemingly adoring girls who find their every utterance fascinating. so now, a hostess bar is, i just want somebody to tell me ....
Okay, i gotta tell you, uh, i ve seen jimi hendrix - masa: uh, have you? anthony: i ve seen janis joplin. i ve seen david bowie. masa: uh huh. anthony: diamond dogs, i ve seen colleen dewhurts and jason robards in moon for the misbegotten directed by jose quintero on broadway. masa: oh. anthony: considered one of the greatest productions ever in the his - this was the greatest show i ve ever seen in my life. it had it all. it was the greatest show in the history of entertainment. i don t understand it. i m completely confused. there s like, 100 people working on that show, millions of dollars worth of like, robots and technology. masa: yeah. anthony: how do they make money? masa: well, one thing for sure about this area is that quite a lot of businesses are unspoken but governed by the yakuzas. anthony: the yakuza, that s the fraternal organization prominent in the entertainment and financial services sector, as they say. who is said to, um, supervise ....
masa: uh huh. anthony: diamond dogs, i ve seen colleen dewhurts and jason robards in moon for the misbegotten directed by jose quintero on broadway. masa: oh. anthony: considered one of the greatest productions ever in the his this was the greatest show i ve ever seen in my life. it had it all. it was the greatest show in the history of entertainment. i don t understand it. i m completely confused. there s like, 100 people working on that show, millions of dollars worth of like, robots and technology. masa: yeah. anthony: how do they make money? masa: well, one thing for sure about this area is that quite a lot of businesses are unspoken but governed by the yakuzas. anthony: the yakuza, that s the fraternal organization prominent in the entertainment and financial services sector, as they say. who is said to, um, supervise things here in shinjuku. principally, your arcades, you have gambling, pachinko, adult entertainments. your porn shops and sex clubs, along with o ....
I ve seen david bowie. masa: uh huh. anthony: diamond dogs, i ve seen colleen dewhurts and jason robards in moon for the misbegotten directed by jose quintero on broadway. masa: oh. anthony: considered one of the greatest productions ever in the his this was the greatest show i ve ever seen in my life. it had it all. it was the greatest show in the history of entertainment. i don t understand it. i m completely confused. there s like, 100 people working on that show, millions of dollars worth of like, robots and technology. masa: yeah. anthony: how do they make money? masa: well, one thing for sure about this area is that quite a lot of businesses are unspoken but governed by the yakuzas. anthony: the yakuza, that s the fraternal organization prominent in the entertainment and financial services sector, as they say, who is said to, um, supervise things here in shinjuku. ....