Live Breaking News & Updates on Beethovens Ninth Symphony
Stay updated with breaking news from Beethovens ninth symphony. Get real-time updates on events, politics, business, and more. Visit us for reliable news and exclusive interviews.
So, i think sometimes the ritual doesn t fit the original composition. so, i try to find ways to give a possibility for the unpredictable nature of music. so, what i did in beethoven s ninth symphony, i hid the chorus in the audiences. nobody saw the choir, where are they? and suddenly theyjumped up from the hall. maybe it s next to you there is a tenor, or here s a soprano and theyjump up. and then people had the feeling, it s us, it s we, the people, who start to sing. and for me, it was a revelation much, much more than in the conventional ritual. that that story sums up a lot of what you try to do, because it seems you you re trying to find a route back to the fun, to the playfulness. i mean, musicians play music, you want them to be playful in a very literal sense. ....
Really? yes, because they must reform, they must go with the age, they must recognise what the new generations need. and the danger is that orchestras play a limited repertoire the last maybe 200 years, the music of the last 200 years. now what will happen in 500 years, will we still listen to those 200 years? i don t think so. don t you, really? no, i think we have to reform. the idea that you mentioned earlier, playing beethoven s ninth, i mean, to take that as just one of the best known pieces of music in the world, everybody really thinks of it as completely timeless, that as long as there is human civilisation, there will be beethoven, there will be bach, there will be mozart. are you saying maybe we re wrong? if you sit in your car and you open the radio, what do you hear? you hear a bit of beethoven, you hear a bit of bruckner, and you hear heavy metal and you hear indian ragas ....
I think a symphony orchestra must reform in order to survive. i would go even further, the danger is not that an orchestra becomes a museum, the danger is that an orchestra dies out like the dinosaur. really? yes, because they must reform, they must go with the age, they must recognise what the new generations need. and the danger is that orchestras play a limited repertoire the last maybe 200 years, the music of the last 200 years. now what will happen in 500 years, will we still listen to those 200 years? i don t think so. don t you, really? no, i think we have to reform. the idea that you mentioned earlier, playing beethoven s ninth, i mean, to take that ....
The ritual doesn t fit the original composition. so, i try to find ways to give a possibility for the unpredictable nature of music. so, what i did in beethoven s ninth symphony, i hid the chorus in the audiences. nobody saw the choir, where are they? and suddenly theyjumped up from the hall. maybe it s next to you there is a tenor, or here s a soprano and theyjump up. and then people had the feeling, it s us, it s we, the people, who start to sing. and for me, it was a revelation much, much more than in the conventional ritual. that that story sums up a lot of what you try to do, because it seems you you re trying to find a route back to the fun, to the playfulness. i mean, musicians play music, you want them to be playful in a very literal sense. i think music itself ....