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as an excuse to build new coal mines. he was speaking at a un climate change summit where delegates are seeking ways of reducing carbon dioxide emissions. now on bbc news, it s hardtalk. welcome to hardtalk. i m stephen sackur. much of the world is now transitioning from locking down to living with covid 19, and that means that, in cities like london, cultural life is returning, performers are back on stage, audiences can gather to enjoy them. my guest today is the world renowned hungarian conductor and composer, ivan fischer, known for his innovative style. it has been a tough couple of years, so how easy is it to find the magic in music making? ivan fischer, welcome to hardtalk. lovely to be here. it s great to have you here in london. let me ask you how different has it been making music in the time of covid? covid had positive and negative effects on our life. the problem was that there is no audience and actually we make music for people. this is actually easy fo ....
world renowned hungarian conductor and composer ivan fischer, known for his innovative style. it has been a tough couple of years, so how easy is it to find the magic in music making? ivan fischer, welcome to hardtalk. lovely to be here. it s great to have you here in london. let me ask you, how different has it been making music in the time of covid? covid had positive and negative effects on our life. the problem was that there is no audience and actually we make music for people. this is actually easy for musicians to forget. some musicians make music to impress other musicians, and we always, i remind them, we play for the audiences, we play for the listeners. and this is what we didn t have. that was terrible. now the good thing is that, actually, it made us realise how badly we need the audiences. i think there is a streaming tiredness in the world now. because for many months after covid hit hungary, hit europe, hit the world, you created a new way of performin ....
The honest answer is i didn t! that i have a brother who is also a conductor, and he always wanted to be a conductor, when he was five, he wanted to be a conductor! i had no idea what i want to become. and later, i visited his class in this music academy in vienna, and there was a wonderful teacher and i thought, maybe i should try too. and then we have a sister who is a psychologist, because, with two conductors, you need one! let me ask you also about something you said once 90% of what a conductor does, you said, i don t even like, there s only about 10% of it that i really enjoy. the music! so. is the 10%! right. so, the 90%, which i guess is about the ritual, the putting on of the dinner suit before the performance, ....
Not only the narrow symphonic music repertoire. so, one day a little bit of heavy metal in your repertoire? ivan fischer, we have to end there, i thank you so much for being on hardtalk. thank you. music plays hello. a warmer feel to the weather on tuesday for wales and england, where the past few days have been so cool, cloudy and, for some, very wet. most places will have a dry tuesday. there s a chance of catching a shower, mind you. ....
The mix, whatever comes to you from the car radio. this is the musical language of the present generation. if a symphony orchestra only provides a small segment of that, it will not survive. it has to open the repertoire into many directions, and this is what we try to do step by step. for example, we have a group in our orchestra who play baroque music on original instruments. we have another group who play transylvanian folk music, for example, we sing like a chorus. and we open these boundaries to make the symphony orchestra a more embracing larger, maybe a production house, you could call it, where all kinds of music is offered to the audiences, ....