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CST
Dreamworks presents an animated film directed by Tom McGrath. Rated PG (rude humor, mild language and some action). Running time: 107 minutes. In theaters and streaming Friday on Peacock.
The Dreamworks sequel to 2017’s (checks notes) Oscar-nominated “The Boss Baby” again pushes a simple, funny but difficult to elaborate on image a baby in suit to zany extremes. It was a good enough conceit for Marla Frazee’s original children’s book; toddlers can indeed be tyrants. But each movie has hyperactively swaddled that thin premise with a frenetic, over-plotted, off-the-wall cartoon blitz.
Director Tom McGrath (the “Madagascar” movies) returns for “The Boss Baby: Family Business” (in theaters and streaming on Peacock on Friday), and fast forwards to adulthood. Older brother Tim (James Marsden, taking over for Tobey Maguire) has grown up to be a stay-at-home dad married to the high-powered Carol (Eva Longoria), with their science-obsessed, high-achieving daughte
Crítica de The Boss Baby: Family Business
Si los bebes hablaran y pudieran montar negocios, sería más fácil criarlos y conseguirles niñeras. O quizás no. En realidad no sé, no tengo hijos. Pero apuesto que sería más divertido criarlos…quizás. Según The Boss Baby: Family Business, sería una aventura.
¿Alguna vez te han hablado de alguien como que “no es muy bonito pero tiene buena personalidad?” Eso es exactamente lo que puedo decir de The Boss Bay: Family Business. No es la mejor película que veras en tu vida pero al menos intenta duramente entretener todo el tiempo. Con los niños deberá lograrlo, con los adultos no tanto.
COVER STORY
The Conjuring: The Devil Made Me Do It
Paranormal investigators Ed and Lorraine Warren encounter what would become one of the most sensational cases from their files. The fight for the soul of a young boy takes them beyond anything they’d ever seen before, to mark the first time in US history that a murder suspect would claim demonic possession as a defense.
Director: Michael Chaves.
Candyman
Anthony and his partner move into a loft in the now gentrified Cabrini. After a chance encounter with an old-timer exposes Anthony to the true story behind Candyman, he unknowingly opens a door to a complex past that unravels his own sanity and unleashes a terrifying wave of violence.
1994 opens with a cheeky reference to the
Fear Street books themselves (like the
Goosebumps movies, it appears to take place in a world where R.L. Stine’s work exists), as a shopper at the book store dismisses the source material as ‘lowbrow horror’ and ‘trash.’ But you’d never guess that watching this adaptation, a
Scream scrubbed of danger. Forget the middle-aged fans it might irk. Don’t today’s kids deserve some trash of their own, instead of a tasteful substitution?” Here’s the rest of A.A. Dowd’s review of the first installment of the three-parter