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On The Record: Beach Boys Feel Flows, plus Colin Hay, Gram Parsons, and Ellen Foley

On The Record: Beach Boys Feel Flows, plus Colin Hay, Gram Parsons, and Ellen Foley
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Review: Guns N Roses plays a show for the ages at the Fargodome

The Music We Made in Lockdown

February 17, 2021 A sign reads, “Studio Closed Due To Covid” at the Trap Music Museum in Atlanta, Ga., 2020. (Photo by Paras Griffin / Getty Images) Creativity blooms in solitude, or so we believe in our weakness for the trope of the artist as a singular figure tapping the magic well of inspiration to make works of art. James Joyce, in A Portrait of the Artist as a Young Man, said he needed only three things to be equipped to write: silence, exile, and cunning the first, an attribute of solitude; the second, a means to achieve it; and the third, a tool for its exploitation.

20 from 2020 – the New Music that Helped

20 from 2020 – the New Music that Helped
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The best covers of 2020, a year defined by them

Hello dear Music Clubbers! I’m writing from pandemically wrecked Nashville, at the moment I put fingers to keyboard the epicenter of the worldwide pandemic. Which, as you can imagine, has me cringing in a corner when I’m not lashing out, virtually, about the deep cultural crises that have pushed America, and particularly its various heartlands, here. (I recommend the two trenchant albums the Drive-By Truckers released this year if you want to know more about that.) Yet as I place my latest order for curbside-pickup groceries and anticipate my daily dog-led three-mile walk virtually my only venturing forth since March I’m seized with the perverse desire to not mourn but to celebrate one aspect of this hellish year. Inspired in part, Lindsay, by your generous reading of Bob, Bruce, and Tay’s polishings of their own iconic facades, I’d like to declare 2020 the Year of Archival Awakenings: a time when, despite or maybe even in dialectical tension with the politically motivated

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