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Zurich University of the Arts presents seven graduates projects

Decolonising art is about a politics of recognition

Ozelwe embethe , 2020. Cow dung, oil paint and gesso on canvas. 170 x 300cm. ( © Mawande Ka Zenzile. Courtesy of Stevenson, Cape Town. Photography Mario Todeschini ) The decolonisation of art and art studies has received a boost following the publication of the 49th issue of OnCurating. The issue is titled Decolonial Propositions and co-edited by Nkule Mabaso and Jyoti Mistry. Set against the growing urgency for transformation in art institutions and universities, it proposes decolonisation as a politics of recognition. OnCurating is an independent journal based at the Zurich University of the Arts in Switzerland and is supported by the university’s Postgraduate Programme in Curating at the Institute for Cultural Studies in the Arts. The journal collaborates with different institutions to focus on questions around curatorial practice and theory and is read in 120 countries.

My Wonderful Wanda

My Wonderful Wanda About the Film “In her biting dramatic comedy of errors, award-winning Swiss director Bettina Oberli astutely tackles class issues and shows how money doesn’t buy happiness and is never simple when dealing with family and reputations. Anchored by Teen Spirit’s Grochowska, Downfall’s Minichmayr, and Marathon Man’s Keller, My Wonderful Wanda keeps the twists and turns coming, especially when Wanda’s father Pawel Kowalski (Cezary Pazura) steps into the chaos.” Judd Taylor, Tribeca Film Festival Winner of awards at Tribeca and Vancouver, MY WONDERFUL WANDA is a delightful satire of the haves and the have-nots set against the backdrop of a gorgeous lakeside villa in Switzerland. At the story’s center is Wanda (Agnieszka Grochowska), a Polish caretaker who has left her own small children in Poland to look after Josef (André Jung) the stroke-ridden patriarch of the wealthy Wegme

Don t Miss Photographer and Filmmaker Cheryl Maeder at the Coral Springs Museum

By Sharon Aron Baron Visit the Coral Springs Museum of Art for the exhibit of art photographer and video installation artist Cheryl Maeder. The core of her work has always been about “connection,” the innate connection to the self, each other, and all other life forms on this planet. Born in Elmwood Park, New Jersey, in her early 20s, she moved to Zurich, Switzerland, where she studied photography at the Zurich University of the Arts.  After eight years, she returned to the U.S. and opened a photography studio in San Francisco, where she photographed international advertising and fashion campaigns.

Galleries come together to launch a collaborative online exhibitions platform: In Touch

Galleries come together to launch a collaborative online exhibitions platform: In Touch Maya Varadaraj, Imagine the Truth, 2020. Collage; print on paper, 18x18 in. Photo: Courtesy Nature Morte. MUMBAI .-In Touch is a digital exhibitions platform created in partnership between galleries to present online exhibitions. Its collaborative nature makes this a unique platform, bringing together a diverse range of programs and artists. In its fourth edition, In Touch presents thirteen galleries from India and Dubai. Participating galleries are Chatterjee & Lal, Mumbai; Chemould Prescott Road, Bombay; Experimenter, Kolkata; Green Art Gallery, Dubai; Galerie Mirchandani + Steinruecke, Mumbai; Gallery Espace, New Delhi; Gallery Isabelle van den Eynde, Dubai; Nature Morte, New Delhi; PHOTOINK, New Delhi; GALLERYSKE, Bangalore/New Delhi; Shrine Empire, New Delhi; Tradition and Beyond, New Delhi; and Vadehra Art Gallery, New Delhi.

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