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Decolonising art is about a politics of recognition
Ozelwe embethe , 2020. Cow dung, oil paint and gesso on canvas. 170 x 300cm. ( © Mawande Ka Zenzile. Courtesy of Stevenson, Cape Town. Photography Mario Todeschini ) The decolonisation of art and art studies has received a boost following the publication of the 49th issue of OnCurating. The issue is titled Decolonial Propositions and co-edited by Nkule Mabaso and Jyoti Mistry. Set against the growing urgency for transformation in art institutions and universities, it proposes decolonisation as a politics of recognition. OnCurating is an independent journal based at the Zurich University of the Arts in Switzerland and is supported by the university’s Postgraduate Programme in Curating at the Institute for Cultural Studies in the Arts. The journal collaborates with different institutions to focus on questions around curatorial practice and theory and is read in 120 countries.
South africa
University of cape town
Western cape
South african
Jay pather
David andrew
Slindokuhle nkosi
Bongani mkhonza
Nkule mabaso
Nwabisa plaatjie
Henri kalama
Nduka mntambo
Ruth sacks
John muafangejo
Miguel marrengula
Nomcebisi moyikwa
OnCurating Issue 49: Decolonial Propositions is here
This anthology brings together contributions that address the connections between artistic research and decolonial strategies in art practices.
South africa
South african
Jay pather
David andrew
Slindokuhle nkosi
Bongani mkhonza
Nkule mabaso
Nwabisa plaatjie
Henri kalama
Nduka mntambo
Nomusa makhubu
Ruth sacks
Miguel marrengula
Nomcebisi moyikwa
Bekele mekonnen
Nobunye levin
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