the film is seen by the widest possible audience. what happens to film-makers possible audience. what happens to film-makers or possible audience. what happens to film-makers or studios possible audience. what happens to film-makers or studios it possible audience. what happens to film-makers or studios it refused i possible audience. what happens to film-makers or studios it refused to film makers or studios it refused to cut scenes to conform to these kind of regulations? of regulations? their films don t aet seen. of regulations? their films don t get seen- in of regulations? their films don t get seen. in the of regulations? their films don t get seen. in the big of regulations? their films don t get seen. in the big question . of regulations? their films don t get seen. in the big question is| of regulations? their films don t - get seen. in the big question is how much, how badly does hollywood want to make inroads into china. in particular as it s a place with dee
where do we stand? where do we stand? well, we are in this situation where do we stand? well, we are in this situation where where do we stand? well, we are in this situation where it where do we stand? well, we are in this situation where it certainly - this situation where it certainly looks pretty clear that the prime minister has broken the ministerial code, notjust in one way, but two ways. the ministerial code requires ministers to comply with the law and requires ministers not to knowingly mislead parliaments and to resign if they do. but it s a difficult situation because the keeper of the ministerial code is the prime minister himself who would normally be the person who would ask for those resignations. these allegations are pointed at him. as we heard in yourfilm, and very much now falls to mps to decide where to go with us. they are the only ones who can really act, which is why he has been answering questions this afternoon and we have this rather extraordinary deba
and they banned it. they did. so what s the point of making a film that nobody can see in kenya? that s actually exactly the point. it s been really lovely for us when the film gets to be seen in other african countries especially, but then for it to not be seen in kenya is really a problem. i think the wider question around the ban of this film is the ways in which banning of films works here, because i don t think things should be banned forever. i think there should be processes that allow people to revisit a ban. but then, as it is currently, and ourfilm is not the only one that s been banned, once a thing is banned, it s banned in perpetuity, which is kind of a problem, if you ask me. well, i mean, little has changed, and i asked you what you ve achieved by making, the nest collective making that film, but little has changed. i mean, just now, last year, an lgbtq film called i am samuel, not by the nest collective, but somebody you know, about a kenyan man struggling with his sexu
because they have things tying them down into the household. they have children, for instance, who they cannot leave behind with a violent man. they have had their economic prospects limited severely, and so they do not have any other options for themselves, their own well being, and that of their children. and then also they have their families, who are pushing them to stay in this marriage so that they can say that they are married, because married people gain kind of social status and standing. so there s a lot of stuff going on there. how far should yourfilm, the feminine and the foreign, tackle issues like this to say, look, come on, men, you can t go around slapping your wife left, right, and centre? i think my film, and my film, together with my co director, mars maasai, i think ourfilm kind of moves into a space that increases the voices that are speaking about these things. i think there are some films that have done really well in speaking exactly specifically against dom
gaining is fear. to know that what he s it s not respect. to know that what he s he s gaining fear. to know that what he s he s gaining hatred, and he s gaining somebody who, at the drop of a hat, if she had a better option, would leave him, 1,000%. a lot of times people feel like they need to stay because they have things tying them down into the household. they have children, for instance, who they cannot leave behind with a violent man. they have had their economic prospects limited severely, and so they do not have any other options for themselves, their own wellbeing, and that of their children. and then also they have their families, who are pushing them to stay in this marriage so that they can say that they are married, because married people gain kind of social status and standing. so there s a lot of stuff going on there. should yourfilm, the feminine and the foreign, tackle issues like this to say, look, come on, men, you can t go around slapping your wife left, right, and