with explicit scenes of sexual activity. it said it promoted homosexuality, which is contrary to kenya s national norms and values. and they banned it. they did. so what s the point of making a film that nobody can see in kenya? that s actually exactly the point. it s been really lovely for us when the film gets to be seen in other african countries especially, but then for it to not be seen in kenya is really a problem. i think the wider question around the ban of this film is the ways in which banning of films works here, because i don t think things should be banned forever. i think there should be processes that allow people to revisit a ban. but then, as it is currently, and ourfilm is not the only one that s been banned, once a thing is banned, it s banned in perpetuity, which is kind of a problem, if you ask me. well, i mean, little has changed, and i asked you what you ve achieved by making, the nest collective making that film, but little has changed. i mean, just now, last ye
are working their way through, that we felt that this was the right time to reimagine west side story. how evident are stephen sondheim s talents in yourfilm? because in a way it must be very tough for you right now, you must miss him being with you as you launch your film. it was devastating, it is still devastating. we are still not. i am still not really accustomed to not being able to text him and e mail him and compare movie trivia to the 19305 films. or to all the films with leonard. i mean, stephen was a tremendous cineaste and on the scale of martin scorsese and del toro, that kind of a cineaste, as i have been all my life and for all his great i miss him for being
production. very recently seen a stage roduction. . , . ., ., production. i have seen a lot of versions of production. i have seen a lot of versions of it. production. i have seen a lot of versions of it. i production. i have seen a lot of versions of it. i admired - production. i have seen a lot of versions of it. i admired it - production. i have seen a lot of versions of it. i admired it but. versions of it. i admired it but from a distance. i thought this looks really good, these individual performances are great but they all seem to be in their own movie and particularly when you see macbeth on stage it s all about if they appear to be into different it s like where is the central conflict? so people love it i ve read loads of 5 star reviews, ifeel the same love it i ve read loads of 5 star reviews, i feel the same way that you do about liqourice pizza. there are things in there that are great. but i m not buying the whole thing. that s our film but i m not buying the whole
recently, a global initiative was set up to understand the scale of the problem and a new system was designed to give conservationists a data driven view of possible illegal trade online. ., ., , view of possible illegal trade online. ., ., , ., online. no-one is able to give us an authoritative online. no-one is able to give us an authoritative answer - online. no-one is able to give us an authoritative answer to | us an authoritative answer to how much of this is online and everywhere that it is occurring. it is too dynamic, the online space is too fragmented. the online space is too fragmented. the system s mission is fragmented. the system s mission is to fragmented. the system s mission is to identify - fragmented. the system s. mission is to identify online trading hot spots in the hope of disrupting a business s with £15 billion a year. although many online sites have worked to remove illicit content, this system has found around 10,000 classified ads all over the world
who perhaps had never heard of west side story. we thought the messages were so relevant to our time and to the generation that my kids are working their way through, that we felt that this was the right time to reimagine west side story. how evident are stephen sondheim s talents in yourfilm? because in a way it must be very tough for you right now, you must miss him being with you as you launch your film. it was devastating, it is still devastating. we are still not. i am still not really accustomed to not being able to text him and e mail him and compare movie trivia to the 1930s films. or to all the films with leonard. i mean, stephen was a tremendous cineaste and on the scale of martin scorsese and del toro, that kind of a cineaste, as i have been all my life and for all his great work in the nonlinear, linear musical stage, he is a genius.