because they have things tying them down into the household. they have children, for instance, who they cannot leave behind with a violent man. they have had their economic prospects limited severely, and so they do not have any other options for themselves, their own well being, and that of their children. and then also they have their families, who are pushing them to stay in this marriage so that they can say that they are married, because married people gain kind of social status and standing. so there s a lot of stuff going on there. how far should yourfilm, the feminine and the foreign, tackle issues like this to say, look, come on, men, you can t go around slapping your wife left, right, and centre? i think my film, and my film, together with my co director, mars maasai, i think ourfilm kind of moves into a space that increases the voices that are speaking about these things. i think there are some films that have done really well in speaking exactly specifically against dom
gaining is fear. to know that what he s it s not respect. to know that what he s he s gaining fear. to know that what he s he s gaining hatred, and he s gaining somebody who, at the drop of a hat, if she had a better option, would leave him, 1,000%. a lot of times people feel like they need to stay because they have things tying them down into the household. they have children, for instance, who they cannot leave behind with a violent man. they have had their economic prospects limited severely, and so they do not have any other options for themselves, their own wellbeing, and that of their children. and then also they have their families, who are pushing them to stay in this marriage so that they can say that they are married, because married people gain kind of social status and standing. so there s a lot of stuff going on there. should yourfilm, the feminine and the foreign, tackle issues like this to say, look, come on, men, you can t go around slapping your wife left, right, and