bourdain: for korean- americans, according to the stereotype anyway, it used to be that you grew up to be a doctor, a lawyer, an engineer. there were a specific set of rules and expectations. are youou asking meme to be in a poporno? is thahat what youou re asking? thanknks to some remarkablyly bad korereans, thougugh, things arere beginning to o cha. i wenent to one y year of law schohool and i w walked out. so yoyou re a badad korean. yeah, i i m a bad k korean. > any finalal advice fofor sy who s s actually a about to mama korean womoman? t the answer:r: don t do o i. choi: allll i knew was ththat this totown was goining down, and no onene was showiwing up. and d so we as k koreans figured d that out r really qui. there s s a point whwhere you ai look a at each otherer and say.. bourdrdain: they y re not co. they rere not comining, tony. yoyou know? lilike, it s y you . right. . right. thehe choppes will n not be herere anytime s. [laughshs] yo
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Together, the concurrent exhibitions Only The Young: Experimental Art in Korea, 1960s–1970s and The Shape of Time, Korean Art After 1989 offer a glimpse of the breathtakingly rapid achievement of a people, built on reservoirs of memory and imagination, optimism, extraordinary resilience, but also on tragedy.