The acclaimed Swedish director talks us through his new gross-out satire, Triangle of Sadness: ‘When the audience walk into a Ruben Östlund movie, I want them to feel like they’re going to experience a ride’
The artist and filmmaker on ghostwriting for Kanye and her directorial debut, The African Desperate: ‘it’s like Superbad with less friends, less budget, and no white guys’
As her new film Emily The Criminal is released in the UK, the actor talks to Nick Chen about scamming, the curse of Netflix, and why she’ll do ‘anything’ to be in John Waters’ new film