Come on come on, come on, what are you staring for . Come on robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. Come on, ray. A director and actor find a story at the right time and the right place. And out comes this amazing combination of cinematic virility and absolute fear. Its like watching an animal. I think raging bull is a great title and the film fulfills the promise. The reality of the boxing and the great slow motion, all the Black And White gore. The violence of the flashbulbs going off. When he designed the movie, marty purposefully, he didnt put a clutch on the film. Theres no clutch. Hey, ray, never went down, man. You never got me down, ray. Raging bull is a boxing movie for people who dont like boxing because its really not about that. Its about this man, jake lamotta, who was based on a real person, whos really at war with himself. Come on. Harder. Harder. I didnt really understand boxing, but the character was interestin
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
is. ghostbusters! instead of worshipping musicians, now we re worshipping these stand-up comedians and these skit comedians. there s this idea that comedy in the 80s is gonna be the new rock n roll. all right, listen up! i don t like white people. i hate rednecks. you people are rednecks. that means i m enjoying this shit. you gotta remember when eddie murphy first started with 48 hours, he was 20 years old. then he does trading places and then he does the blockbuster, beverly hills cop. eddie murphy in the 80s was comedy. he s such a perfect everyman and so likeable, even though he s kind of a shit. it wasn t about necessarily being the put-upon guy. it s being the guy smarter than the room. you know, he s bugs bunny. you know, this is the cleanest and nicest police car i ve ever been in, in my life. this thing s nicer than my apartment. up until that point,
well, there s something you don t see every day. ghostbusters was written by dan aykroyd with harold ramis. on paper it shouldn t work. but it does work because you have bill murray and dan aykroyd and rick moranis, and they re flawless. we ve been going about this all wrong. this mr. stay puft is okay. he s a sailor. he s in new york. we get this guy laid, we won t have any trouble. bill s always explored what it means to escape sort of the constraints of convention. you feel in some way that you want to be as liberated as he is. ghostbusters instead of worshipping musicians, now we re worshipping these stand-up comedians and skit comedians. there is this idea that comedy in the 80s is going to be the new rock n roll. all right. listen up. i don t like white people. i hate rednecks. you people are rednecks. that means i m enjoying this shit. you got to remember when eddie murphy first started with 48 hours, he was 20 years old.
ghostbusters ghostbusters is a rare film because it combined sci-fi, action, and comedy. well, there s something you don t see every day. ghostbusters was written by dan aykroyd with harold ramis. on paper, it shouldn t work. but it does work because you have bill murray and dan aykroyd and rick moranis, and they re flawless. we ve been going about this all wrong. this mr. stay puft is okay, he s a sailor, he s in new york. we get this guy laid, we won t have any trouble. bill s always explored what it means to escape sort of the constraints of convention. you feel in some way that you want to be as liberated as he is. ghostbusters instead of worshipping musicians, now we re worshipping these stand-up comedians and skit comedians. there is this idea that comedy in the 80s is going to be the new rock n roll. all right.