i am freelance and as well as the show, i also do a range of other kinds of playing such as concerts and recording sessions and tours and things like that. as well as the show closing, all of that went up in smoke. so all of your income just disappeared? yes, exactly. these guys here were looking for an extra pair of hands and they kindly agreed to take me on. it s actually something i find really satisfactory. i m enjoying the work. i like working with my hands. and i m even learning skills i would like to develop in my own time perhaps alongside music. # i m past patiently waiting, i m passionately smashing. every expectation. my mum actually originally, she bought me a canvasjust before the lockdown because she knew i would be by myself for some time. i started drawing mandalas. eventually, i had a lot of support from friends and people saying you should sell this artwork. are you making an equivalent amount of money? no, nowhere near an equivalent amount to what i would.
Bob Dylan s third album The Times They Are A-Changin was his darkest and most political, a modern folk landmark that remains a template for socially conscious music.
When, in July 1972, Melody Maker revealed that Bill Bruford & John Wetton were joining King Crimson – from Yes & Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene & David Cross – from the band Waves.
producer. that s when greg jacobson and terry melcher came to the spahn ranch and we did like a little recording sessions. i arrived. then a bunch of people all sat down and they played a dozen songs. it was a big campfire. you know, charlie, i mean, you really got a talent, i really appreciate your music, but you re just not my cup of tea. in charles manson s mind, terry melcher had dashed his hope for a music contract. lake: and charlie was really upset about that. i kind of remember charlie, like, you know, all those, you know, mother [bleep] you know? rick: in my opinion, that rejection is what led to his desire to kill,