I first heard the rapper Daniel Dumile (pronounced
DOOM-ee-lay) when I was fourteen and hip-hop was just beginning to bloom. The music was not so much “CNN for black people,” as Chuck D would later dub it, as a lingua franca. I came up awkward in West Baltimore a tall black boy with no jumper, no gear, and no game. But my mastery of the arcane verses of X-Clan, my sense that the decoupling of EPMD was an irreparable tragedy, and my abiding hatred of Vanilla Ice ushered me into the scowling ranks of my generation.
Doom explains his mask as an effort to “control the story.”Illustration by Jaime Hernandez
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he invited me to recording sessions that he was having so i could see how records were made. i was his mentor. he was just so young. i liked him right away because he was so funny. he had a great sense of humor. like me, i could see he was really ambitious. he really wanted to be on the radio. he cut a song called rambling gambling man. he let me play acoustic guitar on the track and sing backup vocals. rambling man, i m a gambling man you can really hear glenn blurt out on the first chorus. he comes out really loud, tremendous gusto. of course that was a national hit for us, so that was really cool. bob was the first guy that wrote his own songs and recorded them that i had ever met. he said, you know, if you want to make it, you ll have to write your own songs. i said, well, what if they re bad? he said, well, they re going to be bad. you just keep writing and keep writing. eventually, you write a good
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