romance of bad people. anthony: yeah. penn: uh, i don t think it actually was better. i think it was really good if you were sinatra. anthony: penn jillette. another cog in the entertainment machine, though at a somewhat more elevated level. of the live acts left in vegas, his might be the biggest draw. i suggested this place because raku off the strip is where every chef i know, who knows this town, said i should go. the japanese modern izakaya, known as one of the best places to eat in vegas. casual, but pricey. pricey because the ingredients many from around the world. there s sea urchin from santa barbara, okay that s not too far, but good. the tuna is from spain, where it s best. the fresh river crab, from japan. penn: that was good, right? anthony: yeah, delicious. penn: i didn t even know oysters came that big. anthony: oh yeah. isaki sashimi, isaki belly,
be able to go see louie primo, 3am, have breakfast, and then go out and watch an atomic bomb explode in the distance. i mean, that, that s a place i would like to live in. anthony: yeah. that sounds like a good time. was it better before? is it better now? is it different? penn: well, you know. it was better to talk about before. people loved having their mob stories and there s that weird romance of bad people. anthony: yeah. penn: uh, i don t think it actually was better. i think it was really good if you were sinatra. anthony: penn jillette. another cog in the entertainment machine, though at a somewhat more elevated level. of the live acts left in vegas, his might be the biggest draw. i suggested this place because raku off the strip is where every chef i know, who knows this town, said i should go. the japanese modern izakaya, known as one of the best places to eat in vegas. casual, but pricey.
3:00 a.m., have breakfast, and then go out and watch an atomic bomb explode in the distance. i mean, that, that s a place i would like to live in. anthony: yeah. that sounds like a good time. was it better before? is it better now? is it different? penn: well, you know. it was better to talk about before. people loved having their mob stories and there s that weird romance of bad people. anthony: yeah. penn: uh, i don t think it actually was better. i think it was really good if you were sinatra. anthony: penn jillette. another cog in the entertainment machine, though at a somewhat more elevated level. of the live acts left in vegas, his might be the biggest draw. i suggested this place because raku off the strip is where every chef i know, who knows this town, said i should go. the japanese modern izakaya, known as one of the best places
i think it was really good if you were sinatra. anthony: penn jillette. another cog in the entertainment machine, though at a somewhat more elevated level. of the live acts left in vegas, his might be the biggest draw. i suggested this place because raku off the strip is where every chef i know, who knows this town, said i should go. the japanese modern izakaya, known as one of the best places to eat in vegas. casual, but pricey. pricey because the ingredients many from around the world. there s sea urchin from santa barbara, okay that s not too far, but good. the tuna is from spain, where it s best. the fresh river crab, from japan. penn: that was good, right? anthony: yeah, delicious. penn: i didn t even know oysters came that big. anthony: oh yeah. isaki sashimi, isaki belly, juicy deep-fried chicken. hamachi belly, and one of my