one of our roles here has always been to take away excess money from people who don t know what to do with it, who can t think of a better idea about how to spend their money. in the old days, the mechanism for doing that was you would throw it on a table. put that into the context of throwing away a bottle of 7-up in a club, that s only just we re slightly more honest about it. if you re talking crass commercialism in the very best sense of the word, this is it. is this the cultural center of the country? we may not want to think it is, but is it? what is the rest of the country? i don t know. but it s that place where they all leave and come here. i took a walk through this beautiful world felt the cool rain on my shoulder found something good in this beautiful world i felt the rain getting colder sha what i can go to the desert, but i am not going to get there by accident. but that s part of the whole experience of the desert is that it ain t
that sounds like a good time. that s the time i would like to live in. was it better before? is it better now? is it different? it s better to talk about before. people loved having their mob stories and there s that weird romance of bad people. yeah. i don t think it actually was better. i think it was really good if you were sinatra. penn jillette, another cog in the entertainment machine, though at a somewhat more elevated level. of the live acts left in vegas, his might be the biggest draw. i suggested this place because raku off the strip is where every chef i know who knows this town said i should go. the japanese modern izakaya, known as one of the best places to eat in vegas, casual but pricey, pricey because the ingredients, many from around the world. there is sea urchin from santa barbara. okay, that s not too far, but good. the tuna is from spain, where it s best.
penn: you know, you used to be able to go see louie primo, 3am, have breakfast, and then go out and watch an atomic bomb explode in the distance. i mean, that, that s a place i would like to live in. anthony: yeah. that sounds like a good time. was it better before? is it better now? is it different? penn: well, you know. it was better to talk about before. people loved having their mob stories and there s that weird romance of bad people. anthony: yeah. penn: uh, i don t think it actually was better. i think it was really good if you were sinatra. anthony: penn jillette. another cog in the entertainment machine, though at a somewhat more elevated level. of the live acts left in vegas, his might be the biggest draw. i suggested this place because raku off the strip is where every chef i know, who knows this town, said i should go.
be able to go see louie primo, 3am, have breakfast, and then go out and watch an atomic bomb explode in the distance. i mean, that, that s a place i would like to live in. anthony: yeah. that sounds like a good time. was it better before? is it better now? is it different? penn:ell, you know. it was better to talk about before. people loved having their mob stories and there s that weird romance of bad people. anthony: yeah. penn: uh, i don t think it actually was better. i think it was really good if you were sinatra. anthony: penn jillette. another cog in the entertainment machine, though at a somewhat more elevated level. of the live acts left in vegas, his might be the biggest draw. i suggested this place because raku off the strip is where every chef i know, who knows this town, said i should go. the japanese modern izakaya, known as one of the best places to eat in vegas. casual, but pricey.
be able to go see louie primo, 3am, have breakfast, and then go out and watch an atomic bomb explode in the distance. i mean, that, that s a place i would like to live in. anthony: yeah. that sounds like a good time. was it better before? is it better now? is it different? penn: well, you know. it was better to talk about before. people loved having their mob stories and there s that weird romance of bad people. anthony: yeah. penn: uh, i don t think it actually was better. i think it was really good if you were sinatra. anthony: penn jillette. another cog in the entertainment machine, though at a somewhat more elevated level. of the live acts left in vegas, his might be the biggest draw. i suggested this place because raku off the strip is where every chef i know, who knows this town, said i should go. the japanese modern izakaya, known as one of the best places to eat in vegas. casual, but pricey.