together my own band. the room and started that s club seven. they were a very big deal, absolutely massive hits. certainly the type of units that you couldn t contemplate these days for a pop band. and then paul actually was the first to leave in 2002 and trying to form his own credible, ska punk band or something like that. that didn t really out in a few got back if you months later. we have a picture from recent times of paul cattermole. the band and the family have put out a statement, i will put that onto the screen as well. they ve said we re truly devastated by the passing of our brother paul. there are no words to describe the deep
like a more innocent time, and the feeling that a pop band like that could not really happen these days, somehow, it is all about the solo acts and credibility, and credibility and s club 7, as much as people love them, you could never use those two things together, but it is just a joyful thing, because it is just a joyful thing, because it was pure pop music, and it put a smile on people s faces. you it was pure pop music, and it put a smile on people s faces. smile on people s faces. you talk about putting smile on people s faces. you talk about putting a smile on people s faces. you talk about putting a smile smile on people s faces. you talk about putting a smile on - smile on people s faces. you talk| about putting a smile on people s faces as we go to pictures of the group, and that is actually what is evident from all of these pictures, the smile and all of their faces, pull on our screen at the moment, it is such a tight unit, seven of them, but of course, when you have
yes. so last month, they. it was quite a surprise, i think, for fans, because the fans are now of a different older generation and they announced that all of them would be getting together. they toured as a three different formations, but they were all back together, all absolutely ready for it and all really appreciating it, i think, because the first time round they were so tired, they were jet lag the whole time, but now they can look back. they ve had their lean years and they re ready to go again. so it s just such a shame. it really is. and i know you say that most people thought that they were just a pop band, but frankly, they were pure pop, weren t they? and theyjust produced the most glorious music. they did. and that s absolutely nothing to be ashamed of. cathy dennis wrote a lot of the hits for them. there are rumours that she sang some of them as well, but couldn t possibly comment on that. but as a package, the whole seven of them, they worked so well together and they we
martha: i love that. he smiles there. yeah. it s so crazy. remember we had milli vanilli? the pop band that didn t sing the songs? they re outing it. they like we had nothing to do with this. he still maintaining his innocence. i m telling you, that s so socio sociopathic. martha: this consumer rage sur ray shows one in ten are interesting in seeking revenge because we get bad customer service. what do you say? the reason we get bad customer service, everybody is rude to them, too. why? we spent an hour on hold screaming the world representative in to the phone. right now there s five million people just like hitting zero and representative. by the time we get a human, yes, you hate them. they re trying to accommodate you, but because nobody is nice to them, if you re getting them at the end of their shift, they re chippy. i can tell you this as a cab driver. if you picked up 40 people
do it again, second half of the chorus, but bring that sound in, that s great. yeah. okay, one, two, three, four. the bee gees always liked r&b, they always liked soul. i always loved them as a pop band, but that always had r&b leanings. the bee gees did what pop stars do they really got the zeitgeist of what was going on. this is the scene outside a new york disco called studio 54. this is the place that s in with the disco crowd. i had been to goat ropings and space shots. i ve been in a lot of strange places and seen a lot of strange things, but nothing stranger than studio 54 at the height of its popularity in the 70s. that s where you come when you want to escape, it s really escapism. the front door of that spot