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An die ferne Geliebte, Op. 98, Schumann’s
Liederkries, Op. 39, and Beethoven’s
Aus Goethes Faust, Op. 75, No. 3. Register and view here until April 18.
8 pm ET: Tippet Rise Art Center presents
Spring Festival. For the first day of Tippet Rise’s Spring Festival, two films have been captured at the DiMenna Center. The first features violinist Katie Hyun founding member of the Amphion String Quartet performing Vytautas Barkauskas’s Partita for violin solo. For the second film, Tippet Rise’s Artistic Advisor Pedja Mužijevic performs in a program titled
Is It Real (A Loving Homage to Surrealism), which includes music and spoken word by Satie, Schwitters, and Antheil. At 7:30 pm ET there will be a “backstage” gathering via Zoom, giving artists the opportunity to discuss their performances, followed by the release of the films. View here.
Warmth from other Suns. View here until April 29.
7:30 pm ET: SalonEra presents
Women in Music. Women’s History Month is marked with instrumental and vocal music by Maddalena Sirmen, Barbara Strozzi, Isabella Leonarda, Elisabeth Jacquet de la Guerre, and Clara Schumann. Featured guests include harpsichordist Byron Schenkman, violinist Shelby Yamin, and soprano Michele Kennedy, who share a commitment to researching, performing, and recording music by women composers. View here.
8 pm ET: EnsembleNEWSRQ presents
Nightfall! The ensemble performs Gerard Grisey’s
Stelé for two percussionists, David Maric’s
Nascent Forms for mallet quartet, and David T. Little’s
Haunt of Last Nightfall for percussion quartet and electronics. View here.
Wagner’s
Die Walküre. Conductor: Adam Fischer, director: Sven-Eric Bechtolf. With Christopher Ventris, Ain Anger, Waltraud Meier, Linda Watson, and Tomasz Konieczny. Production from January 2016. Register for free and view here.
1 pm ET: Copland House presents
Underscored: Jalbert’s
Crossings. Vermont-born composer Pierre Jalbert was inspired by the migration of people voyaging into new and unfamiliar places and traces Jalbert’s own French-Canadian-American ancestry.
Crossings is built around a folk song from Quebec,
Quand j’ai parti du Canada (When I Left Canada), which is deconstructed, reinterpreted, reassembled, and reordered in inventive and unexpected ways. The program features a complete performance of the work, preceded by an introductory conversation with the composer, and followed by a live Q&A with viewers. Register and view here.
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