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Transcripts For CSPAN3 The Presidency 20161223

Eastern here on cspan 3. ÷ucc why up close view Princeton University professor officer of democracy and black÷u arthur of barack obama the story watch in depth live on sunday on book tv. Zv talks about how artist depicted George Washington. His presentation includes famous portraits by John Trumbull, gilbert÷u stewart and this is jt over an ymzvchour. Something constructive, of course, but also notc lightn by any means, but something a little less serious. By that, i mean, theres going to be a lot of visuals in this and ic figure a visual intelligence of something we can a little bit acclaim to, for those of you who need the moreu traditional sort of scaffolding like an outline. We can start off with two pages of that and thats also what thats all zvabout. For those of you who respond to competitiveness competitiveness. c were just going to weigh through two centuries of works of art x mostlyu painting. I should say a little bitzv about myself first. I said im chief historian.

Transcripts For CSPAN3 Lectures In History 20170101

Forth between the terms. One of the things we see from peterson is that Country Music is music of modernity. It responds to it, grapples with it. I want to frame our discussion around couple of quotations. The first is from a anthropologist aaron fox. They write, Country Music is widely disparaged in racialized terms and assertions of its badness are quickly flamed in specifically racial terms. For cosmopolitan americans especially, country is bad music because it is widely understood to signify an explicit claim to whiteness, not as an unmarked, neutral condition lacking or trying to shed race, but as a foregrounded claim of cultural identity of bad whiteness unredeemed by ethnicity, folkloric authenticity, progressive politics, or elite musical culture. I want us to think about that. Country music as articulating and conveying this type of marked white particularity. The second quote is from roxanne dunbarortiz, a writer and historian, in the book red dirt, a memoir of growing up in

Transcripts For CSPAN3 Lectures In History 20170101

Forth between the terms. One of the things we see from peterson is that Country Music is music of modernity. It responds to it, grapples with it. I want to frame our discussion around couple of quotations. The first is from a anthropologist aaron fox. They write, Country Music is widely disparaged in racialized terms and assertions of its badness are quickly flamed in specifically racial terms. For cosmopolitan americans especially, country is bad music because it is widely understood to signify an explicit claim to whiteness, not as an unmarked, neutral condition lacking or trying to shed race, but as a foregrounded claim of cultural identity of bad whiteness unredeemed by ethnicity, folkloric authenticity, progressive politics, or elite musical culture. I want us to think about that. Country music as articulating and conveying this type of marked white particularity. The second quote is from roxanne dunbarortiz, a writer and historian, in the book red dirt, a memoir of growing up in

Transcripts For CSPAN3 Lectures In History 20170101

Forth between the terms. One of the things we see from peterson is that Country Music is music of modernity. It responds to it, grapples with it. I want to frame our discussion around couple of quotations. The first is from a anthropologist aaron fox. They write, Country Music is widely disparaged in racialized terms and assertions of its badness are quickly flamed in specifically racial terms. For cosmopolitan americans especially, country is bad music because it is widely understood to signify an explicit claim to whiteness, not as an unmarked, neutral condition lacking or trying to shed race, but as a foregrounded claim of cultural identity of bad whiteness unredeemed by ethnicity, folkloric authenticity, progressive politics, or elite musical culture. I want us to think about that. Country music as articulating and conveying this type of marked white particularity. The second quote is from roxanne dunbarortiz, a writer and historian, in the book red dirt, a memoir of growing up in

Transcripts For CSPAN2 Michael Medved Discusses The American Miracle 20170115

Michael is a radio show host and author and film critic. He is the former chief film critic for the New York Post and cohost of pbs Weekly Program sneak previews. He has a Daily Radio Program which airs on over 300 stations across the country and reaches 5 million listeners. Is written 13 books including hollywood versus america and the ten big lives about america. Please join me in welcoming michael. [applause] thank you everybody for coming up. For sampling some of the joys of the christmas season. We can say christmas season, we can say Holiday Season if you prefer. But president elect trump says we can say Merry Christmas again. So Merry Christmas to everybody, happy hanukkah, that, they actually fall about the same time this year. In fact exactly the same time this year which is unusual. Before i begin i want to introduce this book. My wonderful wife were coming up to her 32nd, she doesnt recognize it that shes 32. But of like to say thank you to my wife doctor diane medved. Dance

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