because there s something about being an underdog and a voyeur that makes comedy possible. and so how do you keep on looking at what s going on if suddenly everyone s looking at you and make that funny? next seven, come right here. okay. it will be a dollar. a dollar. thank you very much. $1. great. i wanted to int you to look up here where i have the actual gilda radner buy anything you want section of my home. and here a terrific reproduction of a poster of roseanne roseanne danna. and that s a steal at $15. when i first went on television, i didn t have roseanne in me. she came out of living and coping with new york. we were doing a parody that rosie shuster wrote, and my character was supposed to work in a hamburger joint. i was fired from my job making burgers in the back kitchen at burgerland because a
that makes comedy possible. and so how do you keep on looking at what s going on if suddenly everyone s looking at you and make that funny? next seven, come right here. okay. it will be a dollar. a dollar. thank you very much. $1. great. welcome to my house. you have just come through my door, and you are now standing i think when i first went on television, i didn t have roseanne in me. she came out of living and coping with new york. my character was supposed to work in a hamburger joint. i was fired from my job making burgers in the back
character was supposed to work in a hamburger joint. i was fired from my job making burgers in the back kitchen at burgerland because a lot of customers complained about hair in their burgers. there was a wig in the back. so i put that wig on, and everybody said, that wig s too big. you know, it wasn t good. everyone was yelling at me. and i said, yeah, but it s funny. let me wear this. there s a lot worse things that could be in burgers. so then i went into alan zweibel, who was in charge of update. we would go to restaurants with pads and pens and, you know, think of something, and just start writing. she would call the first draft the vomit draft. you just vomit it out, and then you start picking out the corn. why not have somebody come on the news, you know, a woman come on and just be like gross? which is very close to my sense of humor, gross pig humor. she would just act it out in front of me, and then we d
character was supposed to work in a hamburger joint. i was fired from my job making burgers in the back kitchen at burgerland because a lot of customers complained about hair in their burgers. there was a wig in the back. so i put that wig on, and everybody said, that wig s too big. the chromakey is making it go you know, it wasn t good. everyone was yelling at me. and i said, yeah, but it s funny. let me wear this. there s a lot worse things that could be in burgers. so then i went into alan zweibel, who was in charge of update. we would go to restaurants with pads and pens and, you know, think of something, and just start writing. she would call the first draft the vomit draft. you just vomit it out, and then you start picking out the corn. why not have somebody come on the news, you know, a woman come on and just be like gross? which is very close to my sense of humor, gross pig humor.