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Collective Named Top Documentary at Cinema Eye Honors

‘Collective’ Named Top Documentary at Cinema Eye Honors Other awards go to “Time,” “Welcome to Chechnya,” “The Truffle Hunters” and “The Mole Agent”Steve Pond | March 9, 2021 @ 6:37 PM Last Updated: March 9, 2021 @ 6:54 PM AWARDS BEAT Magnolia The Romanian film “Collective” has been named the best nonfiction film of 2020 at the 13th annual Cinema Eye Honors, a New York-based awards show devoted to all facets of documentary filmmaking. Kirsten Johnson took the directing prize for “Dick Johnson Is Dead,” while the award for outstanding debut went to Garrett Bradley for “Time,” which also won for its editing. “Boys State” won the Audience Award, the only Cinema Eye Honor category in which the public was invited to cast ballots.

Realscreen » Archive » Collective , Dick Johnson Is Dead take top Cinema Eye Honors awards

Alexander Nanau’s Collective took the top award at the 14th annual Cinema Eye Honors, winning outstanding achievement in non-fiction filmmaking, while Kristen Johnson won the outstanding direction honor for her film Dick Johnson Is Dead. Steven Bognar and Julia Reichert’s feature-length documentary American Factory secured both awards during last year’s event. The film later went on to win best documentary feature at the 2020 Oscars. Garrett Bradley’s Welcome to Chechnya received honors for outstanding production and outstanding broadcast film. Jesse Moss and Amanda McBaine’s Boys State received the audience choice prize. All five films are on the Oscars shortlist for best documentary feature.

Top 10 Title Sequences of 2020

The Best Title Sequences of 2020  It’s been a year like no other. A year when so many of us turned to screens to connect or, indeed, to disconnect; when we ached for a dollop of entertainment, a moment of escape or a dose of comfort, for something familiar or something completely new.  This year, for Art of the Title’s seventh annual list of the year’s top 10 title sequences, we’re doing something new. We reached out to our community to pull in new voices and to expand the team that calls the shots for the Top 10 Title Sequences of the Year. 

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