Come on come on, come on, what are you staring for . Come on robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. Come on, ray. A director and actor find a story at the right time and the right place. And out comes this amazing combination of cinematic virility and absolute fear. Its like watching an animal. I think raging bull is a great title and the film fulfills the promise. The reality of the boxing and the great slow motion, all the Black And White gore. The violence of the flashbulbs going off. When he designed the movie, marty purposefully, he didnt put a clutch on the film. Theres no clutch. Hey, ray, never went down, man. You never got me down, ray. Raging bull is a boxing movie for people who dont like boxing because its really not about that. Its about this man, jake lamotta, who was based on a real person, whos really at war with himself. Come on. Harder. Harder. I didnt really understand boxing, but the character was interestin
i know your work well, signor. do you know, i-i actually compose some variations on a melody of yours? oh, really? which one? mio caro adone . well, i m flattered. a funny little tune, but it yielded some good things. the protagonist of the movie is not mozart. the protagonist of the movie is salieri, who is actually deficient. he s not a great artist. he doesn t have great inspiration. he s jealous of mozart, who does. shouldn t it be a bit more or this? this. yes. the most intelligent and rational individual in the movie is the jealous figure who isn t particularly talented, and the least rational and mature figure in the movie is the genius. when i saw amadeus, there
these are substantial movies by great film makers. you have the last emperor and you have ragtime, and there was gandhi which came out in 1982. we must defy the british. a lot of people were rooting for e.t. the extraterrestrial to win best picture, but fantasy and sci-fi don t usually win oscars. what wins oscars is epic. amadeus is a meditational genius. i know you work well, senor. do you know i actually composed some variations on a melody of yours. really? which one? mio caro adonne. i m flattered. a funny, little tune. but it yielded good things. the protagonist is not mozart and he is actually deficient. he s not a great artist. he doesn t have great inspiration. he s jealous of mozart who does. shouldn t it be a bit more or this?
and you have ragtime. and there was gandhi, which came out in 1982. we must defy the british. a lot of people were rooting for e.t. the extraterrestrial to win best picture that year. but you know, fantasy and sci-fi don t usually win oscars. what wins oscars is epic. amadeus is a kind of meditation on genius. i know you work well, senor. do you know i actually composed some variations on a melody of yours. really? which one? mio caro adonne. i m flattered. a funny little tune. but it yielded good things. the protagonist of the movie is not mozart. the protagonist of the movie is salieri, who is actually deficient. he s not a great artist. he doesn t have great inspiration. he s jealous of mozart, who does. shouldn t it be a bit more
for e.t. the extraterrestrial to win best picture, but fantasy and sci-fi don t usually win oscars. what wins oscars is epic. amadeus is a meditational genius. i know you work well, senor. do you know i actually composed some variations on a melody of yours. really? which one? mio caro adonne. i m flattered. a funny, little tune. but it yielded good things. the protagonist is not mozart and he is actually deficient. he s not a great artist. he doesn t have great inspiration. he s jealous of mozart who does. shouldn t it be a bit more or this? this. yes. the most intelligent and s rational individual in the movie is the jealous figure who isn t particularly talented and the