10 dip recipes for entertaining or solo snacking The Takeout © Photo: Aimee Levitt
Spring is here, summer is around the corner, and you’ve done a lot of cooking this year so why not make things a little easier on yourself? Dip is a great contribution to barbecues, book club, and countless other gatherings, but it’s also a great snack to unwind with after work or when you’re kicking off a relaxing weekend in front of the TV. You don’t need a party invitation as an excuse to make dip; it brings all the party vibes to you, with just a handful of ingredients. Here are some of
11 recipes for when you re craving something cheesy
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From Film Club
The Power (Shudder, 3:01 a.m., premiere): “Moralism and horror have always gone hand in hand, but the recent trend toward ostensibly scary movies that clonk you upside the head with their message has led to a global gooseflesh shortage. Set in January 1974, when labor disputes saw England mandate blackouts in order to conserve electricity,
The Power isn’t ‘merely’ about how terrifying it can be when the power goes off. It’s also much more emphatically about the ways that power can be abused by seemingly benign authority figures. While that’s not an inherently terrible idea, first-time writer-director Corinna Faith seems to have reverse-engineered her narrative from her title’s cutesy double meaning. The movie’s period spookiness and its #MeToo outrage have virtually nothing to do each with other, diminishing the efficacy of both and making it feel like a tract.” Read the rest of Mike D’Angelo’s film review.
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U2’s “With Or Without You” in The Americans
U2’s “With Or Without You” is an unexpected song choice for a Cold War espionage drama, but it’s an oddly perfect fit for
The Americans’ intense series finale. The crushing impact of the music and lyrics is most felt when it drops during the poignant moment when Philip and Elizabeth see their daughter, Paige, at the train station, and they realize she’s chosen to stay in America instead of escape with them to Russia. Bono belting the song’s falsetto has never felt more like a personal attack than when combined with Keri Russell’s heartbreaking expressions. [Saloni Gajjar]