the bbc. i want to talk to about so much. i think it makes sense to begin at the end and this is where we cut to when enormous this is where we cut to when enormou5 spoiler alert, we tell people that logan roy in succe55ion doe5 die. wa5 people that logan roy in succe55ion doe5 die. was it strange leaving this production, 5uch strange leaving this production, such a big part of your life and mind. you ll it was such an odd feeling. i looked on it wrongly a5 a form of rejection. i looked upon it, you have done with logan, you created this monster and you don t know, you got rid of him in a pretty brilliant way. that was so brilliant the way he did it because there was no set up, we didn t know it was going to happen, it gets on the plane. hejust had this huge, these first two acts, epi5ode hejust had this huge, these first two acts, episode one, episode two, we see this in epi5ode two, we see this in full blast. and suddenly he s gone. i was fine with a bit rejected. i m going
emotional problems, i hear. no, of course you don t. of course you don t. it came five years of course you don t. it came five years before of course you don t. it came five years before anthony i five years before anthony hopkins play the role in silence of the lambs. too much great public acclaim. it is wron: great public acclaim. it is wrong to great public acclaim. it is wrong to get great public acclaim. it is wrong to get into - great public acclaim. it is wrong to get into a i great public acclaim. it 3 wrong to get into a situation where you feel you only role. that is your role, you own it. and that s not healthy. you have to let it pass. this is why i d go back to thejen armstrong situation, with roles, just let them pass, they go through you, you don t want to hold on. i remember i got caught that way because i was sleeping in a hotel room and the phone rang and it was somebody from the daily may and he was talking about hannibal lecter the and they said and he woul