Ill even omit my customary lame professor humor about the ncaa tournament, for example, thats how serious this is. Lets think for a minute though about where were situated, what were working on here. In this last third of the course that we started last week, were dealing with the post revolutionary era. Weve built this idea that something radical and transformative happens to music nick the 1960s. You worked hard over the course of several weeks to establish those ideas. And we cant leave without justice a kind of baby boomer nostalgia for the days that were. What weve been trying to deal with is the sense of disappointment that the revolution somehow end nd the early 1970s, that popular music became a disappointment as thetically, politically. Thats the cliche. We saw plenty of evidence for it. What weve tried to do is say o kay, maybe if we shift perspective, if we dont simply buy the asumgtss thpgss that we the age of countercultural music i we do that, we may see music engaged in
All right. I have a Staggering Number of powerpoint slides for this. Get your bets down now on whether i can get through them or not. I will even omit my customary lame professor humor, about the ncaa tournament, for example. Thats how serious this is. Lets think for a minute, though, about where were situated, what were working on here. In this last third of the course that we started last week, were dealing with the postrevolutionary era. Weve built this idea that something radical and transformative happened to music in the 1960s. Weve worked hard over the course of several weeks to establish those ideas. And we cant leave it, though, just as a kind of baby boomer nostalgia for the days that were. What weve been trying to deal with then, though, is this sense of pervasive disappointment, that the revolution somehow ended in the early 1970s. The popular music became a disappointment, aesthetically, politically. Thats the cliche. We saw plenty of evidence for it. What weve been trying
Postrevolutionary era. Weve built this idea that something radicaand transformative happened to music in the 1960s. Weve worked hard over the course of several weeks to establish those ideas. And we cant leave it, though, just as a kind of baby boomer nostalgia for the days that were. What weve been trying to deal with is this sense of pervasive disappointment, that the revolution somehow ended in the early 1970s. The popular music became a disappointment, aesthetically, politically. Thats the cliche. We saw plenty of evidence for it. What weve been trying to do is to say ok. Maybe if we shift perspective, maybe if we dont simply buy the assumptions that went into the age of countercultural music, if we do that, we may well see music engaged in a different way. Weve started out is by saying isnt it the case that popular music in the u. S. In the 1970s was doing what popular music typically had done well before the 1960s . Which is to mediate relationships between men and women, to medi
Dr. Mcgerr good afternoon. Here we go. Hope you are doing well. This is almost too nice a day for education. I have a Staggering Number of powerpoint slides for this. Get your bets down now on whether i can get through them or not. Ill omit my customary professor humor, about the ncaa tournament, for example. Thats how serious this is. Lets think for a minute, though, about where were situated, what were working on here. In this last third of the course that we started last week, were dealing with the postrevolutionary era. Weve built this idea that something radical and transformative happened to music in the 1960s. Weve worked hard over the course of several weeks to establish those ideas. And we cant leave it, though, just as a kind of baby boomer nostalgia for the days that were. What weve been trying to deal with is this sense of pervasive disappointment, that the revolution somehow ended in the early 1970s. The popular music became a disappointment, aesthetically, politically. Th
Great pleasure to root talk with katherine who is roaming around our great nation promoting her new book. Then schaede the way we talk about abortion rights today and changing hearts and minds. I went like to invite her to read for a bit then we will have a discussion if there is time we will take a few questions from the audience. Ere on this beautiful but rather warm day. I am going to read the introduction to this book which is called pro reclaiming abortion rights because it gives you a taste of what is to come in the book. I never had an abortion, but my mother did. She did not tell me about it, but from what i pieced together after her death from all line in her fbi file, which my father, the old radical, had requested along with his own color it was in 1960. So like almost all abortions back then, it was illegal. The agent to counter file wrote that she was in the care of the physician for gun logical problems below which i like to think was his chivalrous way of protecting her