Virus under control. Plus, we have a rare look inside one Production Facility gearing up for a vaccine. And america divided. We hit the streets to learn how politics are eroding our shared sense of reality right down to what we see. Apparently we see things differently. First, heres todays eye opener. Its your world in 90 seconds. The gloves are off. I can now call him grossly incompetent. The president held a rally in wisconsin while joe biden appeared at a pennsylvania town hall. I married a silly girl. I look up to you. Do you have any plans to stand up for Us Health Care workers. How will you handle russias involvement with trump . They dont ask me questions like that. A former Senior Adviser on the Coronavirus Task force endorses joe biden. The president said maybe this covid thing is a good thing. I dont have to shake hands with these disgusting people. The Southern Coast working to pick up the pieces following Hurricane Sallys destructive path. We have all hands on deck. We want
All right. I have a Staggering Number of powerpoint slides for this. Get your bets down now on whether i can get through them or not. I will even omit my customary lame professor humor, about the ncaa tournament, for example. Thats how serious this is. Lets think for a minute, though, about where were situated, what were working on here. In this last third of the course that we started last week, were dealing with the postrevolutionary era. Weve built this idea that something radical and transformative happened to music in the 1960s. Weve worked hard over the course of several weeks to establish those ideas. And we cant leave it, though, just as a kind of baby boomer nostalgia for the days that were. What weve been trying to deal with then, though, is this sense of pervasive disappointment, that the revolution somehow ended in the early 1970s. The popular music became a disappointment, aesthetically, politically. Thats the cliche. We saw plenty of evidence for it. What weve been trying
Postrevolutionary era. Weve built this idea that something radicaand transformative happened to music in the 1960s. Weve worked hard over the course of several weeks to establish those ideas. And we cant leave it, though, just as a kind of baby boomer nostalgia for the days that were. What weve been trying to deal with is this sense of pervasive disappointment, that the revolution somehow ended in the early 1970s. The popular music became a disappointment, aesthetically, politically. Thats the cliche. We saw plenty of evidence for it. What weve been trying to do is to say ok. Maybe if we shift perspective, maybe if we dont simply buy the assumptions that went into the age of countercultural music, if we do that, we may well see music engaged in a different way. Weve started out is by saying isnt it the case that popular music in the u. S. In the 1970s was doing what popular music typically had done well before the 1960s . Which is to mediate relationships between men and women, to medi
Dr. Mcgerr good afternoon. Here we go. Hope you are doing well. This is almost too nice a day for education. I have a Staggering Number of powerpoint slides for this. Get your bets down now on whether i can get through them or not. Ill omit my customary professor humor, about the ncaa tournament, for example. Thats how serious this is. Lets think for a minute, though, about where were situated, what were working on here. In this last third of the course that we started last week, were dealing with the postrevolutionary era. Weve built this idea that something radical and transformative happened to music in the 1960s. Weve worked hard over the course of several weeks to establish those ideas. And we cant leave it, though, just as a kind of baby boomer nostalgia for the days that were. What weve been trying to deal with is this sense of pervasive disappointment, that the revolution somehow ended in the early 1970s. The popular music became a disappointment, aesthetically, politically. Th
Just as a kind of baby boomer nostalgia for the days that were. What weve been trying to deal with is this sense of pervasive disappointment, that the revolution somehow ended in the early 1970s. The popular music became a disappointment, aesthetically, politically. Thats the cliche. We saw plenty of evidence for it. What weve been trying to do is to say ok. Maybe if we shift perspective, maybe if we dont simply buy the assumptions that went into the age of countercultural music, if we do that, we may well see music engaged in a different way. And the way i suggested, the way weve started out is by saying isnt it the case that popular music in the u. S. In the 1970s was doing what popular music typically had done well before the 1960s . Which is to mediate relationships between men and women, to mediate notions of gender, to rethink sexuality. And thats where we started last time, with ideas about masculinity. And the way in which theres a radical transformation of ideas about masculin