marconi s music and the use of close-ups combined to really punctuate emotion and thinking. and the close-ups get closer and closer and closer to the acts faces till you just see their eyes and it starts to move more frenetically as where s the gold, who is going to shoot first? okay. open up in there. butch, you know that if it were my money, there is nobody that i would rather have steal it than you. butch cassidy and the sundance kid is a counter culture western. there s never a moment when you re not rooting for the bad guys in this movie. it hit a nerve i think, unexpectedly. it hit some kind of nerve that had to do with outlaws and the outlaw sensibility. think there s enough dynamite there, butch. it s hard to find a film as fun and funny and wry and
that s all they re looking to buy is a horse. i was just wondering who you think you ve been talking to since we met. there s something rough about that movie. visceral moments, such that you almost feel it s documentary that you re out in the desert with the mustangs. finish. it s like roping a dream now. i got to find another way to be alive, that s all. that was gable s last film. that s got a very kind of elijiac feeling to it. the end to the traditional movie west is coming and this film is kind of a monument to that. how many of you did they hire? enough. the western becomes dark by the end of classical hollywood. you see such a change in the united states culture and i think the western shows that. these films take a more psychological look at the
born to be wild, just some of the great songs ever written. one of the appeals of easy rider was that young people, hippies, college students, draft resistors could see themselves on the screen. we represent them, man, somebody needs a haircut. what you represent to them is freedom. in easy rider, these guys are trying to break it oof the system but not quite being able to do it. don t ever tell anybody that they re not free because then they gone get real busy killing and maiming to prove to you that they are. so, it becomes a dark statement about america. it took dennis hopper and peter fonda to kind of pave the way for people like us to be accepted by hollywood.
that invention is really something extraordinary, and it heralded a different kind of filmmaking. it felt more personal and more weird. he was truly a master of terror. unlimited plan with hulu and the all new samsung galaxy s10 for just $35 a month. see what i mean? simple. for people with hearing loss, visit sprintrelay.com these are ava s shoulders. they square off, hold firm, bear it all. this is her physical therapist, who lends his strength, to hers. these are ava s shoulders, now stronger than ever. this is what medicare from bluecross blueshield does for ava. and with plans that fit every budget, imagine what we can do for you. this is the benefit of blue.
account. when do you use it? i don t. my condolences to your husband. oh, i m not married. that figures. the conventional wisdom about doris day is of course she s a professional virgin, a prude, a relic from the 1950s. all of those things are wrong. hello? good morning. i think doris day is a bridge between 50s morality and 60s morality. oh, my darling. oh, my darling, are you having another nightmare? what was cool about the movies that she was in was that they were centered around her and her problems. she was a female protagonist, which was unusual at that time. if we look back at dor isz day films today, we can see she really established a new kind of representation of a career woman who was very much in charge of her own life. she was independent, urban, and that really was a kind of a prototype for the liberated