know i understand. i understand completely. audrey hepburn is just this light. her subtleties were astounding to me. fred darling, i m so glad you could come. just the way that she spoke and the way she was always elegantly self-deprecating. i m trying to save, but i m not very good at it. there s not a bad audrey hepburn film. there just isn t. two drifters off to see the world in moon river, audrey hepburn is sitting on the fire escape and singing it in this very tender way, and you feel she s sort of this lost soul, trying to grapple about who she is in the world. moon river and me what was amazing about audrey
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to recoup the enormous expense of the production. fox famously had to sell off the back part of their lot. so it became the death knell of the studio system. to reach a point where a movie like klee pat ra could represent an expenditure of nearly one-half the net capital of the company making it and destroy the management of that company in the bargain, motion pictures had come a long way. announcer: the mov v and out of the hospital. don t take entresto if pregnant; it can cause harm or death to an unborn baby. don t take entresto with an ace inhibitor or aliskiren or if you ve had angioedema with an ace or arb. the most serious side effects are angioedema, low blood pressure, kidney problems, or high blood potassium.
me. or his refusal to do what s expected of him. don t you ever talk that way to me. the warden in the film is played by strother martin. it s one of the great ten-line performances in movies. what we ve got here failure to communicate. and it really feels like a 60s line where you know, just in one moment, kids and adults could see the generation gap and see each other on the other side. sorry, luke. just doing my job. you got to appreciate that. ah. calling it your job don t make it right, boss. i still think he s the last of the old movie stars when he starts the 60s, he s up against the likes of carry grant and john wayne and marlon brando and by the end of the 60s, he s up against the likes of steve mcqueen and sean connery. and for mcqueen, i think new man was sort of a target.
character. paul new man came out of the 1950s as one of the top leading men in hollywood. there was an oscar nomination for cat on a hot tin roof from 1958. he also looked like paul new man. could he have been in any movie he wanted to be in. i m the best you ever seen. i m the best there is. he had everything. he comes from the actor s studio. a major star on broadway. charisma on screen. he was the hustler. you can t get better than that. that man shoot a great game of pool. so do you, fast eddie. that wide screen black and white with him and jackie gleason and george c. scott was something so unique at that time. a character piece that way. joe. i just hope for your saking that this house is on fire. i m sorry to roust you out but we ve got trouble at the