marconi s music and the use of close-ups combined to really punctuate emotion and thinking. and the close-ups get closer and closer and closer to the acts faces till you just see their eyes and it starts to move more frenetically as where s the gold, who is going to shoot first? okay. open up in there. butch, you know that if it were my money, there is nobody that i would rather have steal it than you. butch cassidy and the sundance kid is a counter culture western. there s never a moment when you re not rooting for the bad guys in this movie. it hit a nerve i think, unexpectedly. it hit some kind of nerve that had to do with outlaws and the outlaw sensibility. think there s enough dynamite there, butch. it s hard to find a film as fun and funny and wry and
guys in this movie. it hit a nerve, i think, unexpectedly. it hit some kind of nerve that had to do with outlaws and the outlaw sensibility. think there s enough dynamite there, butch? it s hard to find a film as fun and funny and wry and clever. newman and redford were the perfect couple. i think we lost them. do you think we lost them? no. neither do i. paul and i had to connect as characters. so we spent a lot of time together, and the more time we spent together, the fonder we became of each other. and he and i became really good friends. we re done. he s dead. you re welcome to stay. listen, i don t mean to be a sore loser, but when it s done, if i m dead, kill him. love to. redford s supposed to be the