A new exhibition entitled “The Image Disappears” is borrowed from the name of one of the paintings featured in The Art Institutes’ first solo exhibition.
The curators, both working on the Art Institute of Chicago’s first show dedicated to Salvador Dalí, were researching his painting “Visions of Eternity,” which was dated to 1936 and had been held in the museum since the late 1980s. But red flags were mounting.
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