Artifacts featured in their joint publication. In this, they discuss objects relateded to the july 1863 draft riots in new york city. This conversation took place online due to the coronavirus pandemic. The New York Historical society provided the video. Good evening, everyone. Im delighted to again have the opportunity to talk with my good friend and professional colleague, Harold Holzer. Before we get started, i want to remind you, you can ask questions anytime during the program by using the q a button at the bottom of in my case, top of your screens. Well get to your questions after our conversation. And now lets turn our attention to some objects that help us describe the civil war. In the history museum, objects do a lot of heavy lifting and standing in for larger historical narratives beyond the characteristics that define the object itself. So, lets just talk for a moment about the book, civil war and 50 objects, which inspired this program. Harold, tell us about it and how did
After our conversation. Lets turn our attention to some objects that help us describe the civil war. In the history museum, does a lot of heavy lifting and stands in for historical narratives, beyond the characteristics that define the object itself. So, lets just talk for a moment about the civil war and 50 objects, which is why this program. Harold, tell us about it and how the objects can help tell the complex story of the civil war. It is extraordinary, really, because when we undertook this project, eight years ago, it was difficult to find just 50 objects, although we think they tell the story of the war. It is a story of art, as you mentioned, artifacts, art, and objects standing in for the larger story. The story about race, the story about militarization, the story about descent, soldier live, civilian life. But it is also a story about collecting and about the New York Historical society as the trove of this citys lore from the revolutionary periods to today. So i think it is
Button at the bottom of your screen. Well get to questions after our conversation. To lets turn our attention some objects that help us describe the civil war. The history museum, objects do a lot of heavy lifting and standing in for a larger historical narrative be the conditions of the objects themselves. Lets talk about this book, the civil war in 50 objects. Tell us about it and how 50 objects can tell the complex story of the civil war. Its extraordinarily when we undertook this project 18 years ago, it was difficult to find just 50 objects although we think they tell the story of the war. As you tell the story of arts theobjects standing in story about race, militarization, soldier life, civilian life. Its also a story about connecting collecting and the New York Historical society as the trove of this cities lower from the revolutionary period to today. So i think its a double story. Lets start with her objects of the evening. Remarkably topic is aligned with current events. The
Ii. And professor urwin is a long time friend of this museum project. It is one of the great advantages of being in philadelphia, that we can be close neighbors to professor urwin, whose work on the british army in the American Revolution is extensive, and nuanced, and is always inspiring of our exhibits, and publications, and the development of our core exhibition, professor urwin played a crucial role in the display of the story of enslaved runaways, weighing the promise of the phillipsburg proclamation, announced by general clinton in 1779, which offered somewhat vaguely protection and perhaps freedom of run aways who made their way through to the british lines through consultation with a number of historians, particularly of africanAmerican History in this period, it became a really an imperative that we do two very challenging, often seemingly contradictory things with our tableau in showing people facing this question of whether to trust the british on this promise. And one was t
Military historian Gregory Erwin talks about challenges the british army faced in adapting to north american terrain and battle tactics during the revolutionary war. The museum of the American Revolution, Pritzker Museum and the richard vann has foundation cohosts this event as part of a threeday international conference. My name is philip mead, director of Curatorial Affairs on the American Revolution, and it is my pleasure to welcome today to welcome to welcome today ,resident Gregory Urwin professor of American History from the revolution through world war ii. A longtimerwin is friend of this museum project. Thene of it is one of great advantages of being in philadelphia, that we can be close neighbors to the professor, whose work on the british army in the American Revolution is extensive and always inspiring of our exhibits and publications , and the development of our core exhibition. Professor urwin played a crucial role in the display of the story weighinged runways, the promis