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Transcripts For BLOOMBERG Charlie Rose 20160809

What is a between you and writing these books about big murders. You try to carve out the interest there. Stories not told. Mr. Toobin you ascribe a logic and plan to my career that doesnt exist. I covered the o. J. Simpson case in real time and wrote a book about it. 20 years later they made the wonderful miniseries. There is a big gap there. In the meantime, i wrote two books about the Supreme Court, a book about the recount in florida and the clinton scandal. They are legally related but i have to say, this is the first book i have written at the border between journalism and history. Most of the people were still alive. It was enough in the past that i was writing about not current events. Charlie and the patty hearst case, who was accessible and not accessible . Mr. Toobin patty hearst was not accessible and she didnt want to talk about it which i completely understand. Unfortunately, bernie shaw, her former bodyguard who she married died in 2013. She is a widow, a grandmother, ve

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Transcripts For KQED Charlie Rose 20160806

I discovered sam shepard and found the language, how important language was and since i had just come from this military environment where there was an emphasis put on, you know, acronyms for acronyms, but there is not so much about using your words to describe your feelings, and i was notice ago change in myself, how i felt less aggressive and was able to, through plays, use my language more. Rose from theater to the music of beach house, we talk to Victoria Legrand and alex scally. If there is something really real there, well keep playing it, repeating it, pulling it and if were lucky the words start coming out and the words and the sound, they form they can form the goal is to never lose the feeling that made you get excited about the idea in the first place. Thats what we mean about listening to a song. Any layer that you put on or bridge that you add or anything, change of a drum beat, anytime it leaves that feeling, youve gone the wrong way. Rose toobin, driver and beach house w

United-states
New-york
Berkeley
California
Juilliard
Texas
China
Florida
Hollywood
Oregon
Dallas
Camp-pendleton

Transcripts For KQED Charlie Rose 20160808

I discovered sam shepard and found the language, how important language was and since i had just come from this military environment where there was an emphasis put on, you know, acronyms for acronyms, but there is not so much about using your words to describe your feelings, and i was notice ago change in myself, how i felt less aggressive and was able to, through plays, use my language more. Rose from theater to the music of beach house, we talk to Victoria Legrand and alex scally. If there is something really real there, well keep playing it, repeating it, pulling it and if were lucky the words start coming out and the words and the sound, they form they can form the goal is to never lose the feeling that made you get excited about the idea in the first place. Thats what we mean about listening to a song. Any layer that you put on or bridge that you add or anything, change of a drum beat, anytime it leaves that feeling, youve gone the wrong way. Rose toobin, driver and beach house w

United-states
New-york
Berkeley
California
Juilliard
Texas
China
Florida
Hollywood
Oregon
Dallas
Camp-pendleton

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