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Neeraj Ghaywan s Geeli Pucchi Paints a Brilliant Blue Expanse of Emancipation

Neeraj Ghaywan s Geeli Pucchi Paints a Brilliant Blue Expanse of Emancipation The individual experience of Dalit women’s lives is neither denied nor fetishized but used to see how social, economic and cultural structures produce her as an oppressed but equally argumentative subject. Konkona Sensharma (left) and Aditi Rao Hydari in Neeraj Ghaywan s Geeli Puchhi. From Netflix s Ajeeb Daastaans . Photo: Netflix Ajeeb Daastaans’ / Strange Tales, it strikes one that  director Neeraj Ghaywan’s short – ‘ Geeli Puchhi’/ Sloppy Kisses – is the only angry essay in a series that otherwise explores how love is interrupted and disfigured by sexual marginalisation, class prejudice and ableism. It stands out for its vivid and luminous rage.  We feel every beat of the film’s primary protagonist, Bharati Mondol’s repeated humiliation and torment on account of her caste, sexuality and gender. But Ghaywan’s film also gives us the rare oppor

The Need For Dalit Feminists To Base Their Movement On Babasaheb Ambedkar s Thought

The Need For Dalit Feminists To Base Their Movement On Babasaheb Ambedkar’s Thought In the Indian context, Dalit feminism strikes a two-pronged attack on caste and gender. File Photo Aditi Narayani 2021-04-13T19:38:11+05:30 The Need For Dalit Feminists To Base Their Movement On Babasaheb Ambedkar’s Thought outlookindia.com 2021-04-14T08:34:17+05:30 Over the years, feminism has been instrumental in highlighting the differential conditioning that women are subjected to in society. Many structures are placed in the public sphere that negate the inclusion and participation of women in society, thereby side-lining one half of the population. Since its genesis, the feminist movement has undergone many radical changes and the last three decades have given rise to increased visibility of third world feminist struggles.

one decade 2010 to 2020 women condition dd70 | एक दशक संपताना!

one decade 2010 to 2020 women condition dd70 | एक दशक संपताना!
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