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This weekend, two distinctly disorienting gallery shows open in New York. Theyâre not the bad kind of disorienting, like what we all experienced last year (although the pandemic and its associated disassociation do come up in one of them). What instead happens in both shows is an
unsticking, from linear time in Daniel Arshamâs âTime Dilationâ at Perrotin and from the stark spatial geometry of the grid in Tara Donovanâs âIntermediariesâ at Pace. And rather than alienating or dispiriting, they both have the effect of amusing, beguiling, and altogether delighting.