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Pandemic prompts New York artists to leave the city in search of more affordable space

Tara Donovan s Stacked Grid (2020)
© Tara Donovan, courtesy Pace Gallery
Tara Donovan may have recently opened a new exhibition at Pace gallery in New York but the artist herself is getting ready to leave the city for good.
Donovan, known for sculptures whose optical effects are created using everyday mass-produced materials, is in the final stages of closing her Queens studio of seven years to permanently relocate to Los Angeles. “Moving to California has been a long-term plan,” she tells The Art Newspaper, “but the pandemic accelerated this intention based on a desire to have better access to nature.”
New York, Donovan says, is also no longer rich in the industrial waste materials that have fed her practice. “Twenty-five years ago the city was abound with surplus places,” she adds, “but all those industries are gone.” ....

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The Beguiling Appeal of Daniel Arsham's 'Time Dilation' and Tara Donovan's 'Intermediaries'

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This weekend, two distinctly disorienting gallery shows open in New York. Theyâre not the bad kind of disorienting, like what we all experienced last year (although the pandemic and its associated disassociation do come up in one of them). What instead happens in both shows is an
unsticking, from linear time in Daniel Arshamâs âTime Dilationâ at Perrotin and from the stark spatial geometry of the grid in Tara Donovanâs âIntermediariesâ at Pace. And rather than alienating or dispiriting, they both have the effect of amusing, beguiling, and altogether delighting. ....

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