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One-Third of the Galleries on Frieze New York's Initial Exhibitor List Dropped Out and Were Replaced by Dealers Closer to Home

Galleries ability to physically attend depended on the health situation in their home countries.
April 27, 2021
The Vessel and The Shed at the Hudson Yards during the coronavirus pandemic on April 9, 2020 in New York City. Photo: Noam Galai/Getty Images.
The art industry may breathe a small sigh of relief: Frieze New York, one of the first major in-person art fairs in over a year, is due to open next week. Despite widespread enthusiasm for the return of business IRL, however, many international dealers initially planned to set up booths in New York have had to cancel their participation.
Around 22 galleries a full third of the initial 66-exhibitor list have opted out of physically attending since the lineup was released on January 14; 17 galleries, largely from New York, took their place. The vast majority of those that opted out of in-person attendance were international dealers facing new infection waves and uneven vaccine rollouts in their home bases, as well a ....

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The Beguiling Appeal of Daniel Arsham's 'Time Dilation' and Tara Donovan's 'Intermediaries'

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This weekend, two distinctly disorienting gallery shows open in New York. Theyâre not the bad kind of disorienting, like what we all experienced last year (although the pandemic and its associated disassociation do come up in one of them). What instead happens in both shows is an
unsticking, from linear time in Daniel Arshamâs âTime Dilationâ at Perrotin and from the stark spatial geometry of the grid in Tara Donovanâs âIntermediariesâ at Pace. And rather than alienating or dispiriting, they both have the effect of amusing, beguiling, and altogether delighting. ....

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