Stay updated with breaking news from ஸ்வான்சீ பள்ளி. Get real-time updates on events, politics, business, and more. Visit us for reliable news and exclusive interviews.
BBC News By Catherine Evans You ve counted valleys of sheep, drank chamomile tea and sprayed lavender mist on your pillows. You ve tried everything - even Google. So why are you still struggling to sleep? The answer could lie in your anxiety about the Covid pandemic, psychologists say, and this could be stopping you from sleeping - or giving you crazy dreams. Why can t I sleep at the moment? The pandemic and lockdowns have made it harder to maintain routines and to fall asleep, with many people reporting feeling more anxious than usual, according to a survey by the Sleep Charity, last April. ....
SWANSEA Newly re-elected Selectman Christopher R. Carreiro’s political life began at age 21, when he was elected to the Swansea School Committee. Twelve years later, he continues serving the town of Swansea, with a decisive electoral victory over opponent, Melissa Afonso. “I was involved with the town as a volunteer firefighter and also volunteered for Swansea Cable Access television,” Carreiro, who also works as an attorney with a local law office, says. “This sparked my interest in participating in higher levels.” Carreiro enters this new phase of local service with specific goals in mind. He wants to focus on “consolidating all of town operations under one roof.” He cites the inadequacy of the town government being housed in two separate buildings, the original town hall, and the Swansea town hall annex. ....
Last modified on Thu 25 Feb 2021 04.06 EST Phil Rogers, who has died aged 69, was one of Britain’s leading potters and advocates for his craft. From his rural studio near the village of Rhayader in Powys, Wales, Rogers created work that drew on an eclectic range of global styles, from medieval German salt-glazed wares to 15th-century Korean porcelain. His jugs, platters, bottles, teapots, bowls and cups were decorated with abstract brushwork, impressed marks, designs painted in wax-resist, or simply by a swipe of the fingers through a still-wet glaze, combining robust forms with a sense of spontaneity. These pots embodied his lifelong belief in the value of potters using natural materials, sourced from their own environs. Rogers mixed a palette of soft greys, greens, browns and black glazes from wood ash, burning trees that had fallen or needed to be felled; he also used stone dust from nearby quarries and a red clay dug in his local woods. ....