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Emmy Award Winner Scott Silberstein Receives Inaugural Maurice Seymour Award


As a highlight of its previously announced Interview Marathon on January 31, Chicago Dance History Project (CDHP) presents its inaugural Maurice Seymour Award for Vision and Service to Scott Silberstein, producer and co-founder of HMS Media, the Emmy Award-winning multimedia company that creates broadcast, online, and mobile content.
Maurice Seymour was actually two brothers, Maurice and Seymour Zeldman, who combined their names when launching their photo studios. Though the Chicago-based Seymour photographed numerous celebrities in a variety of professions, many people knew of him especially for his ballet photos, collected in two volumes. The Maurice Seymour Award recognizes an individual who has demonstrated the ability to see more in the Chicago dance world and made an extraordinary contribution in specific alignment with CDHP s mission to investigate, document, and present the individual and institutional histories of Chicago dance. ....

United States , Just As , Mark Morris , Lou Conte , Irma Su , Sarah Solotaroff Mirkin , Evan Hansen , Seymour Zeldman , Jenai Cutcher , Twyla Tharp , Lar Lubovitch , Pamela Crutchfield , Eduardo Vilaro , Scott Silberstein , Maurice Seymour , Patti Eylar , Matt Hoffman , Wendy Perron , Nicole Clarke Springer , Arts Alliance Illinois , Arts Leadership Council , Lookingglass Theatre Company , Interview Marathon , Chicago Dance History Project , Maurice Seymour Award , Emmy Award Winning ,

The Offending Classic | Mass Review


Photo: Valerie Robin and Fabrice Calmels in Gerald Arpino s
Light Rain. Photograph by and courtesy of Herbert Migdoll.
What makes a ballet a classic? Is it earning a permanent place in the history books, or is it being worthy of the Herculean investment of hours in the studio, the tireless work of the dancers and coaches, the resources, media and marketing machine required to bring it to life, or both? Who decides, and more importantly, what goes into that calculus? Today the re-evaluation of the Western theatrical dance canon continues as ballet and modern dance are challenged in the academy.[1] In concert dance, these questions are a matter of survival: the performed repertory consists mostly of “classics” and “new work,” and everything else tends to disappear. So, the question of what makes a dance a classic, i.e., ....

United States , New York , United Kingdom , New York Public Library For The Performing Arts , Anna Kisselgoff , Beth Genn , Antony Tudor , Fabrice Calmels , Takiyah Nur Amin , Robert Joffrey , Sid Smith , Jerome Robbins , Vaslav Nijinsky , Valerie Robin , Trinette Singleton , Arnold Haskell , Siobhan Burke , Lincoln Kirstein , Roland Barthes , George Balanchine , Herbert Migdoll , Gerald Arpino , Nicole Duffy Robertson , Wendy Perron , Kenneth Macmillan , Dance Research ,