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The Offending Classic | Mass Review


Photo: Valerie Robin and Fabrice Calmels in Gerald Arpino s
Light Rain. Photograph by and courtesy of Herbert Migdoll.
What makes a ballet a classic? Is it earning a permanent place in the history books, or is it being worthy of the Herculean investment of hours in the studio, the tireless work of the dancers and coaches, the resources, media and marketing machine required to bring it to life, or both? Who decides, and more importantly, what goes into that calculus? Today the re-evaluation of the Western theatrical dance canon continues as ballet and modern dance are challenged in the academy.[1] In concert dance, these questions are a matter of survival: the performed repertory consists mostly of “classics” and “new work,” and everything else tends to disappear. So, the question of what makes a dance a classic, i.e., ....

United States , New York , United Kingdom , New York Public Library For The Performing Arts , Anna Kisselgoff , Beth Genn , Antony Tudor , Fabrice Calmels , Takiyah Nur Amin , Robert Joffrey , Sid Smith , Jerome Robbins , Vaslav Nijinsky , Valerie Robin , Trinette Singleton , Arnold Haskell , Siobhan Burke , Lincoln Kirstein , Roland Barthes , George Balanchine , Herbert Migdoll , Gerald Arpino , Nicole Duffy Robertson , Wendy Perron , Kenneth Macmillan , Dance Research ,