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Why âKimâs Convenienceâ Is âQuietly Revolutionaryâ In not explaining every detail of Korean food culture, the award-winning Canadian sitcom speaks volumes. The main cast of “Kim’s Convenience.” The show’s final season will premiere on Netflix on Wednesday.Credit.CBC By Priya Krishna June 1, 2021, 5:00 a.m. ET In the second episode of the television show âKimâs Convenience,â thereâs a moment that has always stuck with Diane Paik. Umma, the matriarch of the Kim family, arrives at the apartment of her estranged son, Jung, carrying containers of kimbap. Itâs not a particularly pivotal scene, but it immediately brought Ms. Paik, 30, a senior social media manager for the menâs grooming company Harryâs, back to the many times her own parents drove 10 hours from their home in West Bloomfield, Mich., to her apartment in Bedford-Stuyvesant, Brooklyn, always with their homemade kimchi in tow. ....
Premieres Monday, May 24 at 8/7c About Lifetime and The Hollywood Reporter present this one-hour special that highlights the stories of extraordinary high school girls selected by Big Brothers Big Sisters LA and paired with a female Hollywood executive as a mentor. It will follow each of their journeys and see how these relationships have changed all their lives. Hosted by Padma Lakshmi, the special will also feature appearances by Anna Kendrick, Anitta, Elizabeth Olsen, Emma Corrin, Gillian Anderson, Lana Candor, Jurnee Smollett, and Kathryn Hahn, and a special performance by Sara Bareilles. This is a special about women helping women. ....
Alamy Director Myriam Verreault’s Innu drama following a pair of childhood friends (Sharon Ishpatao Fontaine and Yamie Grégoire) whose friendship is tested as their lives evolve in very different ways gives new meaning to the idea that what is specific can be universal. Verreault and co-screenwriter Naomi Fontaine draw audiences into the story of two girls who share the same promise of many their age: to be there for each other forever. Using their tightknit First Nations community as a backdrop to highlight the prevalence of love and familial protection, as well as a proliferation of drugs and abuse, the filmmakers focus on the complex relationship between the young women whose lives and desires send them in opposite directions as they grow up. The ardent Shaniss (Grégoire) becomes a mother early in her life and often leans on Mikuan (Fontaine) and her family for support. Meanwhile, Mikuan takes an interest in poetry and falls for a white boy whose mere presence suggests ....