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America Has Always Tried To Be Hip-Hop s Overseer

In the early 1980s, when hip-hop was cementing itself in the Black community, so was a devastating new drug and a police force that didn't know what to do with either.

Portland murder suspect changes plea to not guilty by reason of insanity

Imagine what would happen if Gov t bows to the lawlessness of taxi, bus operators

Taxi and bus operators islandwide, as they are wont to do, yesterday created mayhem and pain for commuters most of them poor people who don't have private transportation putting muscle behind .

10 Best Movies 2021 - Best New Films of the Year

Alamy Director Myriam Verreault’s Innu drama following a pair of childhood friends (Sharon Ishpatao Fontaine and Yamie Grégoire) whose friendship is tested as their lives evolve in very different ways gives new meaning to the idea that what is specific can be universal. Verreault and co-screenwriter Naomi Fontaine draw audiences into the story of two girls who share the same promise of many their age: to be there for each other forever. Using their tightknit First Nations community as a backdrop to highlight the prevalence of love and familial protection, as well as a proliferation of drugs and abuse, the filmmakers focus on the complex relationship between the young women whose lives and desires send them in opposite directions as they grow up. The ardent Shaniss (Grégoire) becomes a mother early in her life and often leans on Mikuan (Fontaine) and her family for support. Meanwhile, Mikuan takes an interest in poetry and falls for a white boy whose mere presence suggests to Sh

Biggie: I Got a Story to Tell humanizes the legendary rapper but ignores much of his career

Highlander Courtesy of Netflix Netflix has released a documentary focusing on the life of the Notorious B.I.G., likely connected to the 24th anniversary of the rapper’s March 9, 1997 death. The documentary consists mainly of interviews by the close friends of Biggie who knew him since he was a child in Brooklyn, his mother and reflections by P. Diddy, B.I.G.’s music producer and later collaborator. The film also heavily references two interviews Biggie did and includes videos his friend, Damion Butler, shot in the ‘90s. Interestingly, the videos created by Butler were used to create the gritty and nostalgic aesthetic for the documentary.

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