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Lester Collins s Sculpture Garden at the Hirshhorn Museum in Washington, DC Photo: Ted Booth, 2010
A recent opinion piece about the controversial Hiroshi Sugimoto-led revitalisation of the Hirshhorn Museum’s Sculpture Garden omitted essential details about its historic significance and the critical need for maintenance and management. Most importantly, the Sculpture Garden, located on the National Mall in Washington, DC, and designed by architect Gordon Bunshaft (in 1974) and landscape architect Lester Collins (in 1981), is eligible for listing in the National Register of Historic Places and is part of the National Mall Historic District. Federal law aims to safeguard such historic design, making every attempt to avoid and/or limit “adverse effects”. Consequently, the op-ed’s attempt to provide a “larger context [for] the changing role of museums” by citing a number of global projects, including the Crystal Bridges Museum of American Art,
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Firestarter: The Story of Bangarra, which has picked up a number of accolades, will screen next Tuesday on ABC, during NAIDOC week.
Celebrating Bangarra’s 30th Anniversary, this tells the story of how three young Aboriginal brothers Stephen, David and Russell Page turned a newly born dance group into a First Nations cultural powerhouse.
Bangarra Dance Theatre, which is celebrating its 30th anniversary, is Australia’s only Indigenous major performing arts company. Its development from a small dance group in Glebe, Sydney, in the late 80s to a company of international renown, was and is driven in large part by its Artistic director Stephen Page and his brothers, composer David Page and lead dancer Russell Page.
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