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Published May 27, 2021 7 Over his 22-year career, Scott Morgan (a.k.a. Loscil) has crafted music based on various conceptual muses, be it visual and musical (as with the photographs of clouds and piano samples on 2019 s Equivalents) or even existential (life s resistance to dark forces on 2016 s Clara, his 13th LP and first after a two-year excursion that consisted of him taking on audio-visual projects finds the Canadian artist undergoing his most regulated confines yet. The 10-track LP is pulled from a single source; a three-minute composition taken from a 22-piece string orchestra in Budapest, Hungary. If this conjures up the notion of ....
SXSW Review: Disintegration Loops Doc Fails to Connect the Ambient Classic to Our Current Moment Directed by David Wexler Starring William Basinski The Disintegration Loops is arguably the definitive piece of 9/11-inspired art, but David Wexler s documentary of the same name has its eye on a different mass tragedy. The 45-minute film was created during coronavirus lockdowns and it makes a tenuous comparison between the terrorist attack and the pandemic. During the opening shots, the haunting dlp 1.1 plays over images of empty NYC streets and signs warning people to stay two metres apart. The film not-too-subtly suggests that Basinski s 2020 album, ....
8 In many ways, House Music feels like a Bell Orchestre reboot. Having started informally in the early 00s as a loose group of musicians who occasionally provided score for various friends art projects, it wasn t until 2003 when they had reached a point of cohesion they undertook the recording of their first album. But then something quite momentous happened. That something was, of course, Arcade Fire. And since that quickly ascending project shared Richard Reed Parry and Sarah Neufeld with Bell Orchestre, the band was more or less put on pause. The 2003 debut, Recording a Tape the Colour of the Light, was finally released in 2005 by Rough Trade. Though it and their John McEntire-produced follow up ....
Luciferian Towers. While they normally would have marked its arrival with a stunning post-rock concert, they ll instead do things the socially distanced way with a special film broadcast. On March 27 at 6 p.m. ET, the band will stream a concert film that highlights the band s 16mm projections. Throughout the band s history, 16mm projections from Karl Lemieux and Philippe Leonard have been a staple of their live show, but this marks the first time they will be presented in an official capacity. The projections were shot in an empty Cinema Imperial in Montreal, and a press release promises dozens of film loops & short reels for a hallmark Godspeed concert experience, set to the band s new recording. ....