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Maximalists and fashionistas unite: In celebration of the 40th anniversary of Memphis Milano, Saint Laurent creative director Anthony Vaccarello is hosting a pair of shoppable exhibitions of the group’s most iconic works in the Saint Laurent Rive Droite concept stores in Los Angeles and Paris. The exhibit is the first of this scale with pieces available to purchase. What’s more in a match made in design heaven Saint Laurent has launched an accompanying Memphis-inspired capsule collection. The exhibitions, a collaboration between Saint Laurent and the Memphis Group, will include a curated collection of furniture, including the ring bed designed by Masanori Umeda, the Carlton room divider by Ettore Sottsass, chairs by Michele De Lucchi, as well as rare books on the history of Memphis design. The collection will also include a selection of home decor and accessories all available to purchase. ....
https://www.nytimes.com/2021/05/04/realestate/design-downsizing.html David Kelley’s home near Stanford University was designed by Mark Jensen and Johanna Grawunder.Credit.Matthew Millman A Design Expert Makes Space for Tools and Memories When David Kelley, the founder of the global firm IDEO, downsized in Northern California, he still found room for the ultimate studio. David Kelley’s home near Stanford University was designed by Mark Jensen and Johanna Grawunder.Credit.Matthew Millman This article is part of our latest Building your dream house is a wonderful thing. But what happens when the dream changes? Just ask David Kelley, the founder of the global design firm IDEO. In 2000, he became one of only three people in the United States to have a house designed by Ettore Sottsass, the legendary Italian architect, industrial designer and founder of the postmodern Memphis design collective whose name refers to both ancient Egypt and Elvis Presley. ....
A year has passed since Marco Zanini put together a look book. The lockdowns in Italy prevented him from doing so last season, so he used his sketches to present his collection to buyers instead. It’s a testament to his unique and unwavering aesthetic that it sold as well as it did. “COVID hasn’t changed my point of view, it’s only confirmed it,” he said. “Quality over quantity; today that’s even more meaningful.” Some of the 28 looks here are worn by a male model. Zanini clarified that he isn’t introducing a men’s capsule collection, but several of his stores have in fact been selling his work to men. Were he to expand his business, his men’s collection would likely hew to similar lines as his women’s. Zanini’s clothes are simple but studied the seams of a crisp white shirt, for example, are placed to create surprising, graceful volumes and his materials are luxurious but unshowy. ....
Trashy, eclectic and collectible: Memphis and the joy of bad taste Rowan Moore Memphis was a firework. Launched with a bang in 1981, with a party in Milan with 2,500 guests, it glittered and popped until its fragments fell to earth in 1987. Which possibly was always the plan, if there had been a plan. Memphis never sought immortality, nor the establishment of eternal verities to rule design for ever. It was about life lived in the moment – to the extent that inanimate objects can communicate such a thing – about the freedom to create and make mistakes. David Bowie, an avid collector of the design collective’s work, spoke of “the jolt, the impact, created by walking into a room containing a cabinet by Memphis”. Its effect was, as he said, “visceral”, at least when it started. But its ice-cream colours, its doo-wop-Mesopotamian-Picasso-deco-iconic-ironic wonky eclecticism had, by the time it wound down, become a cliche of advertising agency ....
/ The first significant survey of the influential 80s design movement Memphis takes place at MK Gallery in Milton Keynes this December-April. The exhibition, Memphis: Plastic Field explores the provocative and irreverent spirit of the Memphis Group, bringing together over 150 of the collective’s most significant works whose bold and playful aesthetic pushed boundaries and sparked a new era in international design. Colourful, kitsch and geometric, drawing on Pop Art, Bauhaus and Art Deco Founded by Italian designer and architect Ettore Sottsass, Memphis brought together an international collective of young designers united in their desire to inject humour into the design world and shatter the codes of the 20th century. When the group debuted its first collection at Milan’s Salone del Mobile in 1981, it caused a sensation, breaking the rules of streamlined modernism and challenging notions of functionality and good taste. ....