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The Confederation Poets Prize & Critics Desk Award Winners for 2020 : Arc Poetry

30 hot Canadian classical musicians under 30, 2021 edition

30 hot Canadian classical musicians under 30, 2021 edition
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Storying Resurgence

Storying Resurgence If You Discover a Fire by Shaun Robinson Jesse Rae Archibald-Barber (Editor), Kathleen Irwin (Editor) and Moira Day (Editor) Aubrey Hanson Mainstream Canada’s current passion for Indigenous narratives is often overshadowed by Eurocentric interpretations, curtailing these narratives’ transformative potential. Both Literatures, Communities, and Learning and Performing Turtle Island respond to this colonization of Indigenous stories in literatures and the performing arts, respectively. They delineate strategies for critical engagement and culturally responsive methodologies that strive not only to decolonize, but also to reclaim while navigating the paradoxes of working in settler-colonial structures. In Literatures, Aubrey Hanson (Métis) interviews nine Indigenous writers from diverse heritages, generations, gender identities, and preferred genres, all with teaching backgrounds. A professor at the University of Calgary’s Werklund School

Not just another white Indian girl

The Cascade Published 4 days ago The search for what “Indianness” really means I was 12 years old when the chief of our tribe, Chief Hidden Wolf, came from our Peepeekisis reserve to cleanse and welcome my grandparents’ totem pole with sacred ceremony. We sat in a circle and took turns smoking the pipe (of which I was not allowed to participate), and afterward he showed me how to replicate the shape of a wolf paw with my knuckles in the still-wet cement that would soon harden to hold the pole upright. I was in awe of his reverence, and he shed an awareness on my life, and the relationships I fostered, with new meaning. 

Poetry Today: Travis Chi Wing Lau and Rob Mclennan « Kenyon Review Blog

INTRODUCTION  As I’ve learned from my own experiences in the classroom both as a student and as an instructor, poetry is so often taught badly to us in grade school (if at all). I am, to this day, learning how to undo the myth of poetry being the work of certainty a perfect command of a subject, experience, event proclaimed through verse. This is obviously a byproduct of the ways in which the Western canon is taught: the work of “great masters” whose genius we are trained to admire and respect. But my immersion in queer and disability writing has taught me the value of

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