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Local students participate in National History Day

PORTLAND — Sam Kubishta of Griswold High School and McKenzie Rose of the Echo School District recently competed in the National History Day 2021 Virtual Documentary Showcase. They were among ....

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The Recorder - Stockbridge museum unveils comprehensive look at Norman Rockwell's legacy

Stockbridge museum unveils comprehensive look at Norman Rockwell’s legacy
Rockwell s large-format Four Freedoms paintings have returned to Stockbridge following a 2-year tour that included the Memorial de Caen in Normandy. Freedom of Speech, a 1943 illustration for The Saturday Evening Post. Contributed photo/Norman Rockwell (1894-1978)
Rockwell s paintings overflow with detail upon detail and this painting suggests the promise of youth, the wisdom of old age and a celebration of sunlight. Aunt Ella Takes A Trip is a 1942 illustration for Ladies Home Journal. Contributed photo/Norman Rockwell Family Agency
A photo illustration created by Peterson may begin with just four people, with the window, wallpaper and other props added later. Freedom From What? (I Can t Breathe), 2015. Contributed photo/Collection of the artist ....

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Rockwell's art and times

Rockwell’s art and times
Rockwell’s large-format “Four Freedoms” paintings have returned to Stockbridge following a two-year tour that included the Memorial de Caen in Normandy. “Freedom of Speech,” above, was a 1943 illustration for The Saturday Evening Post. CONTRIBUTED
Rockwell s paintings overflow with detail upon detail and this painting suggests the promise of youth, the wisdom of old age and a celebration of sunlight. Aunt Ella Takes A Trip is a 1942 illustration for Ladies Home Journal. Contributed photo/Norman Rockwell Family Agency
“Freedom From What? (I Can t Breathe)” is a 2015 illustration by Pops Peterson. Contributed
In 1992, presidential candidate Bill Clinton attempted to make a lawyerly distinction as to his marijuana use while at Oxford University, as depicted by cartoonist Pat Oliphant. President Barack Obama later said, “When I was a kid, I inhaled frequently. That was the point.” Contributed ....

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(Not) Sheep Gallery shines a light on 'The Problem We All Live With'

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(Not) Sheep Gallery shines a light on ‘The Problem We All Live With’
How the protests and police shootings of the last year brought new meaning to the title of a 1964 Norman Rockwell painting for gallery owner Caren Petersen
Columbus Alive
Caren Petersen, owner of (Not) Sheep Gallery, said it s likely she first encountered Norman Rockwell’s 1964 painting “The Problem We All Live With” as a child. The now-iconic image depicts Ruby Bridges, a 6-year-old African American girl, being escorted into the all-white William Frantz Elementary School at the height of the New Orleans school desegregation crisis.
“I think it’s one of those images everyone has had burned into their brains, not really thinking about the meaning of its title,” Petersen said recently by phone. “The impression of Norman Rockwell is that he’s this slice of American pie, and everything [he paints] is all good and innocent. And peo ....

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A model and her Norman Rockwell meet again

Charlotte Sorenson was riffling through a newspaper one morning in December when she recognized someone in a gallery advertisement for a Norman Rockwell painting that she had not seen in years: herself.
There she was, a teenager in a cluster of schoolmates in graduation-day caps and gowns. Rockwell had called the painting âBright Future for Banking.â
Sorenson, who is 81 and lives in Boulder, Colo., had posed for Rockwell when she was a 15-year-old high school sophomore in Stockbridge, where Rockwell lived and worked from 1953 until his death in 1978. As the star illustrator for The Saturday Evening Post, he was known for summoning his neighbors to his studio to be models â dozens over the years. They were the faces in the quintessentially American images that the public loved but critics disdained. Sometimes, he supplied the accessories at his easel, long after his subjects had left his studio. But for âBright Future,â Sorenson said, he had a cap a ....

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