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How Do We Exit the Post-Truth Era?


Illustration by Josh Holinaty,
Updated 17:48, Apr. 8, 2021 | Published 14:34, Apr. 7, 2021
A t nineteen, I moved to New York City for my first magazine internship. I was hired as a fact checker, and at the time, I knew little about the practice; it hadn’t yet gained the popularity it now enjoys, with regular headlines about “Fact-Checking the President in Real Time.” I interpreted fact-checking literally: journalists report facts, sometimes they make errors, and fact checkers clean everything up before the story is published.
This was roughly the process that awaited me at
Harper’s: every day for three months, I sat with three other young journalists, meticulously researching sentences that would appear in the upcoming issue. Once we had investigated a fact to satisfaction, we pored over our work with an imperious senior editor, who would interrogate us about nuances and details. I was thrilled by the rigour of the process. When our work was done, ....

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Loudspeakers, interactive plays, and trap music: Google awards $3 million to news organizations testing new ways to fight misinformation


January 12, 2021Google announced the open fund in mid-January. Google’s news and information credibility lead, Alexios Mantzarlis, said they received more than 300 applications from 74 countries in the three-week application window.
The scope of the winning projects is pretty remarkable. The audiences targeted include a range from Catholics to Pekeño 77 fans, the elderly to 18- to 26-year-olds, people with disabilities in Spain to wet market workers in Indonesia.
Mantzarlis served as director for Poynter’s International Fact-Checking Network and managing director of the Italian fact-checking organization Pagella Politica before arriving at Google. He says many of these projects mark the first time as far as he or Google knows that fact checking will be done in these formats. ....

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Robin Smith: 'Fact-Checkers' Turned Dolly Parton Into Mel Gibson — The Patriot Post


Instagram, owned by Facebook, censored the article written in this space last week about Dolly Parton’s Super Bowl ad that encouraged Americans to use their passions and talents for a side job. When Instagram’s “fact-checker” offered an explanation for the blocked content, it was deemed “false” because — wait for it — Mel Gibson had not said Hollywood “is an institutionalized pedophile ring.” No, that’s not a typographical error.
That’s right. A post about Dolly Parton and the “woke” crowd — featuring a photo of Parton — went through the sausage-making “fact-check” formula of Big Tech and was reviewed as a post about pedophilia. Evidently, this algorithm uses some method that finds key words, phrases, and sources and automatically deems content as “guilty” with no recourse for the average person or regard for truth. Posts get screened or censored while exposing the fault line of ....

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