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THE HIGH PRIEST OF POP CULTURE For years Canadian Professor Marshall McLuhan has been preaching his theories of mass communications but hardly anybody understood him. Now, suddenly, he’s becoming the hottest intellectual fad since Zen Buddhism July 3 1965 ALEXANDER ROSS THE HIGH PRIEST OF POP CULTURE ALEXANDER ROSS July 3 1965 THE HIGH PRIEST OF POP CULTURE For years Canadian Professor Marshall McLuhan has been preaching his theories of mass communications but hardly anybody understood him. Now, suddenly, he’s becoming the hottest intellectual fad since Zen Buddhism July 3 1965 ALEXANDER ROSS Was it a Happening? Was it a huge practical joke staged by a bunch of mad professors? Or was it a serious tribute to the best-kn ....
Command of Media's Metaphors | Critical Inquiry: Vol 47, No 4 uchicago.edu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from uchicago.edu Daily Mail and Mail on Sunday newspapers.
Why do Biden and Harris get a free pass on migration but not Trump? » MercatorNet mercatornet.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from mercatornet.com Daily Mail and Mail on Sunday newspapers.
Mobile Commerce Is The Under-The-Radar Story In Consumers' Flight To Digital Shopping forbes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from forbes.com Daily Mail and Mail on Sunday newspapers.
5 . 3 . 21 Contemporary worship music is often banal. No matter the content, the form by itself trivializes what takes place in the liturgy. We keep trying to put asunder what God has joined together medium and message, form and content but invariably the divorce does not end well. I’ll never forget when our kids came home with a new song they had learned at school: I say Pharaoh, Pharaoh Huh! Yeah, yeah, yeah Don’t be too hard on the song. It at least keeps together what belongs together form and content. The simplicity of the tune and the part-sensual, part-infantile body motions suit the song’s utter vacuity. ....