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One Man in His Time review: Gently tightening our grip on Shakespeare


One Man in His Time review: Gently tightening our grip on Shakespeare
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★★★½
Playhouse, March 11
If John Bell is anything to go by, basking in the words of William Shakespeare for 65 years is good for the soul. Exuding a calm generosity of spirit, he spent an hour conveying his singular love for this greatest of writers, artists and perhaps minds.
Bell was blessed with school teachers who fostered this obsession – which, in turn, prompted him to act. In his 20s he joined the Royal Shakespeare Company and soon after his return I first encountered him playing Hamlet in Nimrod’s striking “mirror” production, before discovering his directing in an equally memorable ....

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Trevor Peacock obituary


Last modified on Wed 10 Mar 2021 10.34 EST
Trevor Peacock, the actor and songwriter, who has died aged 89 after suffering from dementia, was best known and much loved for his endearing performance as a bumbling parish councillor, Jim Trott, in The Vicar of Dibley (1994-2007), one of a delightful gallery of village worthies circling, and answering to, Dawn French’s enthusiastic parish priest.
Jim’s particular dimness was manifest in an acute inability to say what he meant, prefacing a “Yes” with a string of stuttering “No’s”. This had landed him in deep trouble. He had, for instance, in a history of two marriages, been spliced, by accident, with another man. ....

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Commentary: What 'Hamlet' has to say about Trump's impeachment trial


Commentary: What Hamlet has to say about Trump s impeachment trial
Charles McNulty
© (Manuel Harlan/ Carol Rosegg)
Two Hamlets: Andrew Scott, left, in London in 2017, and Oscar Isaac in New York City in 2017. (Manuel Harlan/ Carol Rosegg)
Samuel Johnson once observed that “when a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully.” A rebellion turns out to work equally well for sharpening one’s understanding of a dramatic classic.
Rereading “Hamlet” after the storming of the U.S. Capitol on Jan. 6, I was struck by how fears of insurrection permeate the play. Every age sees itself in Shakespeare’s tragedy, but little did I expect to be reminded of the recent uprising and its poisonous politics when returning to this most philosophical of revenge dramas. ....

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